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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-025.mrc:194203499:3989
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:194203499:3989?format=raw

LEADER: 03989cam a2200433Ii 4500
001 12447641
005 20170522145530.0
008 161216s2015 cl a bc 000 0dspa d
020 $a9789569144301
020 $a9569144300
035 $a(OCoLC)ocn966478581
035 $a(OCoLC)966478581
035 $a(NNC)12447641
040 $aH7K$beng$erda$cH7K$dOCLCO$dJPG$dOCLCF
050 14 $aND369.N86$bA4x 2015
245 00 $aNúñez 85 :$bdibujar con sangre en el ojo /$cGuillermo Núñez ; edición y producción, Varinia Brodsky.
246 30 $aDibujar con sangre en el ojo
264 1 $aSantiago de Chile :$bMAC, Museo de Arte Contemporáneo :$bMuseo de la Memoria y los Derechos Humanos,$c2015.
300 $a129 pages :$billustrations (chiefly color) ;$c24 cm.
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"10 Abr - 28 Jun 2015, Museo de Arte Contemporáneo, Museo de la Memoria y los Derechos Humanos"--Title Page.
500 $aLimited ed. of 500 copies.
504 $aIncludes bibliographical references (page 45).
505 8 $aGuillermo Núñez el MAC / Francisco Brugnoli -- Tu Grito / Varinia Brodsky -- Museo de Arte Contemporáneo -- Pop Up: obras e iniciativas artísticas de Guillermo Núñez durante la Unidad Popular / Amalia Cross -- Museo de la Memoria y los Derechos Humanos -- Memoria atrapada / María José Bunster -- Biografía -- Registro de Montaje.
520 $aNational Art Prize 2007 and former Director of the Museum of Contemporary Art, Guillermo Núñez (Santiago, 1930) has been featured in the recent history of art and is one of the most important visual artists of Chile. At 85 years, MAC has decided to review his career. Under the curatorship of MAC team, together with the artist, this exhibition reassembles remembered pieces of the artist. From the sketches of serigraphs Nunez made for the first and only play of Pablo Neruda. After the military coup, Guillermo Nunez was arrested twice. The latter is one of the most emblematic of censorship in art during the dictatorship cases. In March 1975, he opened the shows and exculturas Printuras in the French Chilean Institute. The pieces that comprised -other than cages that kept everyday objects arranged in some commonly included a tricolor tie that hung like gallows. The work led to the closure of the sample and the arrest of the artist. The MAC rewrites this exhibition 40 years of opening, claiming political action from the work of the artist in times of resistance. Nunez tireless exploration of the possibilities of the graphic, painting, drawing, the scenography and the object, passing even the literary exercise, remains to this day. This exhibition also presents his latest works and art books. Simultaneously, the Museum of Memory and Human Rights will present an exhibition centered homonymous drawings Guillermo Núñez. "The exhibition begins with works that show his contact with pop art, but which in this respect, they exhibit their critical position of a clear political content, created between the mid-1060's and the beginning of the 1970s, highlighting very well the socio-cultural concerns of the moment." (Our translation)--Page 11.
600 10 $aNúñez, Guillermo,$d1930-$vExhibitions.
600 10 $aNúñez, Guillermo,$d1930-$xCriticism and interpretation.
600 17 $aNúñez, Guillermo,$d1930-$2fast$0(OCoLC)fst00088252
655 7 $aExhibition catalogs.$2lcgft
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aBrodsky, Varinia,$eeditor.
700 12 $aNúñez, Guillermo,$d1930-$tWorks.$kSelections.
710 2 $aMuseo de Arte Contemporáneo (Santiago, Chile),$ehost institution.
710 2 $aMuseo de la Memoria y los Derechos Humanos,$ehost institution.
852 00 $boff,fax$hND369.N86$iA4 2015g