MARC Record from marc_columbia

LEADER: 02262cam a2200421Ii 4500
001 12411699
005 20170827151926.0
008 170217s2016 gw ac bc 000 0 ger d
020 $a9783735602725
020 $a373560272X
035 $a(OCoLC)ocn967849992
035 $a(OCoLC)967849992
035 $a(NNC)12411699
040 $aERASA$beng$cERASA$dOHX$dJPG
041 0 $ager$aeng
050 4 $aND1329.M49$bA4 2016
082 04 $a700.411
100 1 $aMeyer, Harding,$d1964-$eartist.
245 10 $aHarding Meyer :$beine Monographie = a monograph /$cHerausgeber, David Galloway.
246 30 $aMonographie
246 30 $aMonograph
264 1 $aBielefeld :$bKerber Verlag,$cc2016.
300 $a253 pages :$bcolor illustrations ;$c34 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aKerber art
500 $aCatalog of an exhibition held at Galerie Voss, Düsseldorf, Germany, August 26-November 5, 2016.
504 $aIncludes bibliographical references.
520 8 $aThe artist Harding Meyer (*1964) is a manipulator of art who thanks to his masterful handling of paint, gesture, ductus, structure, and rhythm, has found an individual way of formulating and questioning the current relationship of art, media, and human beings in complex images. Many of his paintings bring to mind portraits from the Renaissance, the epoch in which the portrait advanced to become the most important painting genre. But his models come from the current, fast-paced media world. He already makes diverse changes to these models, alienating individual physiognomic characteristics through painting or on the computer. What can be seen in the completed works is a mixture of painterly information that represents a return of the subject from a new to an old medium. Exhibition: Galerie Voss, Düsseldorf, Germany (26.08-05.11.2016).
546 $aText in German and English.
600 10 $aMeyer, Harding,$d1964-$vExhibitions.
650 0 $aPortrait painting, Brazilian$vExhibitions.
700 1 $aGalloway, David,$eeditor.
710 2 $aGalerie Voss,$ehost institution.
830 0 $aKerber art.
852 00 $bfaxlc$hND1329.M49$iA4 2016g