MARC Record from marc_columbia

LEADER: 03114cam a2200445Ii 4500
001 12411693
005 20170827151925.0
008 170217t20162016maua bc 000 0 eng d
010 $a 2016942443
015 $aGBB6E9502$2bnb
019 $a922632819$a960039914$a965413972$a971557441
020 $a9783791355337
020 $a3791355333
035 $a(OCoLC)ocn931642674
035 $a(OCoLC)931642674$z(OCoLC)922632819$z(OCoLC)960039914$z(OCoLC)965413972$z(OCoLC)971557441
035 $a(NNC)12411693
040 $aBTCTA$beng$erda$cBTCTA$dYDXCP$dBDX$dOCLCQ$dCDX$dNLE$dOHX$dOCLCQ$dCDN$dOCLCO$dNZAUC$dCDN$dOCLCF
050 4 $aN6537.D27$bA4 2016
082 04 $a709.2$223
100 1 $aDa Corte, Alex,$d1980-$eartist,$eeditor.
240 10 $aWorks.$kSelections
245 10 $aAlex Da Corte :$bfree roses /$cedited by Susan Cross and Alex Da Corte.
246 30 $aFree roses
264 1 $aNorth Adams, MA :$bMASS MoCA ;$aMuncih :$bDelMonico Books, an imprint of Prestel Publishing,$c[2016]
264 4 $c©2016
300 $a208 pages :$bcolor illustrations ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition of the same name, curated by Susan Cross, held at MASS MoCA, North Adams, Massachusetts, March 26, 2016-February 2017.
504 $aIncludes bibliographical references (pages 192-195).
520 $aFor his largest solo museum exhibition, Alex Da Corte took over all of MASS MoCA's second-floor galleries, presenting a selection of existing works and an expansive new sculptural installation inspired by Arthur Rimbaud's prose poem 'A Season in Hell'. Restaging past exhibitions and remixing examples from multiple bodies of work in a fresh narrative, the artist presents his bold output in a sumptuous environment that transforms the museum space. Carpeted and tiled floors, brightly painted walls, and neon lighting create a milieu for the art that is part suburban living room, part plush strip club. Full page illustrations of the visually intoxicating exhibition form the centerpiece of this volume are complemented by stills from the artist's electrifying videos as well as reproductions of his formally rigorous, brightly colored mashups of consumer objects and appropriated images. Two essays illuminate Da Corte's engagement with film, animation, and appropriation while exploring the personal, cultural, and political themes that run through the work. The book provides a glimpse of the prolific artist's breadth while capturing the sensory impact of Da Corte's simultaneously seductive and unsettling worlds.
600 10 $aDa Corte, Alex,$d1980-$vExhibitions.
600 17 $aDa Corte, Alex,$d1980-$2fast$0(OCoLC)fst01964306
655 7 $aExhibition catalogs.$2lcgft
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aCross, Susan$q(Susan Mallette),$eeditor.
710 2 $aMassachusetts Museum of Contemporary Art,$ehost institution,$epublisher.
852 00 $bfaxlc$hN6537.D27$iA4 2016g