MARC Record from marc_columbia

LEADER: 02204pam a2200409 i 4500
001 12364356
005 20170221152633.0
008 160607s2016 dcua b 001 0 eng
010 $a 2016026417
020 $a9780813228921$qhardcover$qalkaline paper
020 $a0813228921$qhardcover$qalkaline paper
024 $a40026785976
035 $a(OCoLC)ocn951226131
035 $a(OCoLC)951226131
035 $a(NNC)12364356
040 $aDLC$beng$erda$cDLC$dYDXCP$dBTCTA$dOCLCO$dOCLCF$dNhCcYBP
042 $apcc
050 00 $aPR5267.R4$bN53 2016
082 00 $a828/.809$223
100 1 $aNichols, Aidan,$eauthor.
245 10 $aAll great art is praise :$bart and religion in John Ruskin /$cAidan Nichols, OP.
264 1 $aWashington, D.C. :$bThe Catholic University of America Press,$c[2016]
300 $axiii, 613 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
504 $aIncludes bibliographical references and index.
505 0 $aParadise and madness: John Ruskin's life -- Turner and truth: Modern painters I -- Beauty and the imagination: Modern painters II -- The seven lamps of architecture -- Pre-Raphaelitism and the Edinburgh lectures -- Building blocks: The stones of Venice I -- Byzantium and the goths: The stones of Venice II -- The trouble with the Renaissance: The stones of Venice III -- Return to Venice -- The varieties of art: Modern painters III -- Depicting the cosmos: Modern painters IV -- The rose and the worm: Modern painters V -- The political economy of art and other critical matters -- University with a difference: the Oxford lectures -- From Tuscany to the Somme -- Back to England again -- Conclusion: final public letters, last look at a life.
600 10 $aRuskin, John,$d1819-1900$xReligion.
600 10 $aRuskin, John,$d1819-1900$xKnowledge$xArt.
650 0 $aArt and religion.
600 17 $aRuskin, John,$d1819-1900.$2fast$0(OCoLC)fst00030222
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aArt and religion.$2fast$0(OCoLC)fst00815425
650 7 $aReligion.$2fast$0(OCoLC)fst01093763
852 00 $bglx$hPR5267.R4$iN53 2016