MARC Record from marc_columbia

LEADER: 01784cam a2200301Ii 4500
001 12279853
005 20170319214246.0
008 161116t20162016sp a g 000 p spa d
020 $a9788416160655$q(pbk: alk.paper)
020 $a8416160651$q(pbk: alk.paper)
035 $a(OCoLC)ocn966316646
035 $a(OCoLC)966316646
035 $a(NNC)12279853
040 $aIAY$beng$cIAY$erda$dIAY$dOCLCO
050 4 $aPQ6659.G53$b.T68 2016
100 1 $aIglesias Serna, Amalia,$d1962-
245 10 $aTótem espantapájaros /$cAmalia Iglesias Serna.
264 1 $aMadrid :$bAbada editores ,$c2016.
264 4 $c©2016
300 $a146 page :$billustrations ;$c20 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aVoces
500 $aPoems.
520 $aSince ancient times the text has often taken the form of a human body, both in religious and magical documents, funeral of festive rituals, to the present day in calligrams, works of art of advertising spaces. The zodiacal body, the grammatical, as a network of signs, as an emblem and an alphabet, The body open book and mirror of the soul, symbolic space of metaphor and map of memory. In the black sleep that memory, waiting for the seeds of redemption, rests signs of light to invoke those written bodies. The poems wanted to be "bodies," a corpus that demands humanity, rehumanization, an intentionality to think again now that it seems that values that have always made us human seem more and less important. At the bottom of this quest is something that remains beyond the fugacity of the broken bodies and the concrete history of their scars --Page 4 of cover.
830 0 $aVoces (Abada Editores)
852 00 $boff,glx$hPQ6659.G53$i.T68 2016g