MARC Record from marc_columbia

LEADER: 02264cam a2200385Ii 4500
001 12276033
005 20170117122606.0
008 161121s2016 enka c 000 0 eng d
020 $a9781909932210
020 $a1909932213
035 $a(OCoLC)ocn946010876
035 $a(OCoLC)946010876
035 $a(NNC)12276033
040 $aERASA$beng$erda$cERASA$dEQO$dOCLCO$dMZA$dOCLCF$dOCLCQ$dNNC
050 4 $aN7433.4.Q7$bA4 2016
082 04 $a700.411
100 1 $aHamid, Mohsin,$d1971-$eauthor.
245 10 $aImran Qureshi :$bwhere the shadows are so deep /$cMohsin Hamid ; Eleanor Nairne.
264 1 $aLondon :$bRidinghouse,$c2016.
300 $a42 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCurve ;$v25
520 8 $aThis volume focuses on Qureshi's use of miniature painting as a site for social commentary. The new commission draws upon the curve as a formal motif in the miniature tradition, responding to the dramatic architecture of the gallery space. The sequence of works begins with gentle scenes of nature, which are gradually transformed through the addition of darker elements. Hung at varying heights along the space, these delicate paintings subtly imply the uncertainty of what lies around the bend. The volume includes Mohsin Hamid's reflections on an encounter with the artist, as well as an essay by Eleanor Nairne, installation views and illustrations of recent work. This is the third title in a publication series by Barbican Art Gallery and Ridinghouse that focuses on the Curve exhibition programme. Exhibition: Barbican Centre, The Curve, London, UK (18.02-10.07.2016).
600 10 $aQureshi, M. Imran$q(Muhammad Imran),$d1972-$vExhibitions.
650 0 $aMiniature painting, Pakistani$y21st century$vExhibitions.
600 17 $aQureshi, M. Imran$q(Muhammad Imran),$d1972-$2fast$0(OCoLC)fst01916378
650 7 $aMiniature painting, Pakistani.$2fast$0(OCoLC)fst01022760
648 7 $a2000-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aNairne, Eleanor.
710 2 $aBarbican Centre for Arts and Conferences.
830 0 $aCurve ;$v25.
852 00 $bfaxlc$hN7433.4.Q7$iA4 2016g