MARC Record from marc_columbia

LEADER: 04265cam a2200469 i 4500
001 11608896
005 20180115115330.0
008 150403s2015 be a b 001 0 eng d
016 7 $a101670456$2DNLM
020 $a9789462700284$q(hardback)
020 $a9462700281$q(hardback)
024 3 $a9789462700284
035 $a(OCoLC)ocn922559580
035 $a(OCoLC)922559580
035 $a(NNC)11608896
040 $aERASA$beng$erda$cNLM$dOHX$dCDX$dFQG$dYDXCP$dUAB$dOCLCO$dUBY$dOCLCO$dVVC$dNNC
042 $apcc
050 4 $aPN1995$b.E43 2015
060 00 $a2015 L-270
060 10 $aBF 311
072 7 $aPN$2lcco
072 7 $aBF$2lcco
082 04 $a791
245 00 $aEmbodied cognition and cinema /$cedited by Maarten Coëgnarts and Peter Kravanja ; with a foreword by Mark Johnson.
264 1 $aLeuven :$bLeuven University Press,$c[2015]
300 $a381 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aFilm narrative and embodied cognition: the impact of image schemas on narrative form / Miklós Kiss -- Embodied visual meaning in film / Maarten Coëgnarts and Peter Kravanja -- Film music as embodiment / Juan Chattah -- The floating world: film narrative and viewer diakrisis / Hannah Chapelle Wojciehowski -- Modes of action at the movies, or re-thinking film style from the embodies perspective / Michele Guerra -- Art in noise: an embodied simulation account of cinematic sound design / Mark S. Ward -- The character's body and the viewer: cinematic empathy and embodied simulation in the film experience / Adriano D'Aloia -- Films and embodied metaphors of emotion / María J. Ortiz -- Embodied cinematic subjectivity: metaphorical and metonymical modes of character perception in film / Maarten Coëgnarts and Peter Kravanja -- Embodied ethics and cinema: moral attitudes facilitated by character perception / Maarten Coëgnarts and Peter Kravanja -- Cognitive semiotics revisited: reframing the frame / Warren Buckland.
520 8 $aThe embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film.
520 8 $aThe embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film.0.
650 12 $aCognition.
650 22 $aMotion Pictures.
650 0 $aMotion pictures$xPhilosophy.
650 0 $aCognitive psychology.
650 0 $aMotion pictures$xPsychology.
650 0 $aMotion pictures$xStudy and teaching.
700 1 $aCoëgnarts, Maarten,$eeditor.
700 1 $aKravanja, Peter,$d1971-$eeditor.
852 00 $bglx$hPN1995$i.E43 2015g