MARC Record from marc_columbia

LEADER: 02179cam a22004218i 4500
001 11849119
005 20160420175608.0
008 150903s2015 wau b s001 0 eng
010 $a 2015033571
020 $a9780295995106$q(hardcover ;$qalk. paper)
020 $a0295995106$q(hardcover ;$qalk. paper)
035 $a(OCoLC)ocn907447228
035 $a(OCoLC)907447228
035 $a(NNC)11849119
040 $aDLC$beng$erda$cDLC$dYDXCP$dBTCTA$dOCLCO$dOCLCF$dOCLCO$dOCLCQ$dCUV$dOCLCO
042 $apcc
043 $aa-ja---
050 00 $aPN2924.5.K3$bI77 2015
082 00 $a792.0952$223
100 1 $aIsaka, Maki,$eauthor.
245 10 $aOnnagata :$ba labyrinth of gendering in kabuki theater /$cMaki Isaka.
263 $a1512
264 1 $aSeattle :$bUniversity of Washington Press,$c2015.
300 $axvi, 256 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aFundamentals: invitation to labyrinths of gendering -- Introduction: a labyrinth of onnagata -- Geneses of a maze: androgyne fatale -- Femininity inside out: onnagata who pass -- Denial of transience: forfeiting the androgynous charm -- Prescription for femininity: onnagata who pass -- Canonization: creating onnagata traditions -- Femininity in circulation: texts in kabuki, kabuki in texts -- Marginalized centers: bodies and personnel -- Naturally disciplined: moving real on procrustean beds -- Female onnagata in the porous labyrinth: the enunciated femininity and the enunciating masculinity -- Origins of onnagata: modern reformation -- Toward contemporary onnagata: art in their blood -- Epilogue: the journey continues.
650 0 $aKabuki$xHistory.
650 0 $aActors$zJapan$xHistory.
650 0 $aFemale impersonators$zJapan$xHistory.
650 7 $aActors.$2fast$0(OCoLC)fst00796296
650 7 $aFemale impersonators.$2fast$0(OCoLC)fst00922621
650 7 $aKabuki.$2fast$0(OCoLC)fst00985596
651 7 $aJapan.$2fast$0(OCoLC)fst01204082
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
852 00 $bbar$hPN2924.5.K3$iI77 2015