| Record ID | marc_columbia/Columbia-extract-20221130-024.mrc:105906549:2945 |
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LEADER: 02945cam a2200505 i 4500
001 11667569
005 20160321122705.0
008 151001t20152015gw ae b 000 0 eng c
016 7 $a1063298547$2GyFmDB
019 $a922558929
020 $a9783506779199$qSchöningh
020 $a3506779192$qSchöningh
020 $a9783770559138$qFink
020 $a3770559134$qFink
024 3 $a9783770559138
035 $a(OCoLC)922694460
035 $a(POOF)41142
035 $a(NNC)11667569
040 $aERASA$beng$erda$cERASA$dOCLCO$dNOC$dFDA$dOHX$dEYM$dOCLCF
041 1 $aeng$hger
042 $apcc
043 $amm-----
050 4 $aN5330$b.K3 2015
072 7 $aN$2lcco
082 04 $a938
100 1 $aKaschnitz von Weinberg, Guido,$d1890-1958,$eauthor.
240 10 $aMittelmeerischen Grundlagen der antiken Kunst.$lEnglish
245 14 $aThe Mediterranean foundations of ancient art /$cGuido Freiherr von Kaschnitz-Weinberg ; translated and edited by John R. Clarke.
264 1 $aPaderborn :$bWilhelm Fink :$bFerdinand Schöningh Verlag,$c[2015]
264 4 $c©2015
300 $a117 pages ;$billustrations, plans ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMittelmeerstudien ;$vBand 4
504 $aIncludes bibliographical references (pages 107-114).
505 0 $aNotes on the translation -- Chronology -- Introduction -- The Mediterranean foundations of ancient art.
520 $a"The School of Structural Analysis, or Strukturforschung, dominated the 1920s in Vienna. Of the many essays laying out the premises of Structural Analysis, Guido Kaschnitz's Introduction to his posthumously-published Mediterranean Art: An Account of its Structure presents the clearest overview of the background, procedure, and objectives of this approach. Structural Analysis, he says, in not another, more rigorous form of formal analysis, but a hermeneutic that goes beyond the external appearances of individual works of art to uncover culturally-determined habits of conceiving and forming spaces and images. Structural Analysis is concerned with what goes on before the work takes on its external appearance, before it gets its "style." Kaschnitz's Structural Analysis is not a closed theory or system; it includes the study of the whole culture in which the works of art are embedded. He proposes that all sources that shed light on that culture illuminate the structure of its art: studies of its society, economics, religion, psychology, and literature"--$cIntroduction.
546 $aIn English; translated from German.
650 0 $aArt, Ancient$xHistory.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
650 7 $aArt, Ancient.$2fast$0(OCoLC)fst00815925
700 1 $aClarke, John R.,$d1945-$etranslator,$eeditor.
830 0 $aMittelmeerstudien (Paderborn, Germany) ;$vBd. 4.
852 00 $bfaxlc$hN5330$i.K37 2015g