MARC Record from marc_columbia

LEADER: 02311cam a2200553 i 4500
001 11390712
005 20150625231302.0
008 141126t20152015onca b 001 0 eng
016 $a20149077092
019 $a898051753
020 $a9781442649118$q(bound)
020 $a1442649119$q(bound)
035 $a(OCoLC)ocn897352643
035 $a(OCoLC)897352643$z(OCoLC)898051753
035 $a(NNC)11390712
040 $aNLC$beng$erda$cNLC$dOCLCO$dBTCTA$dYDXCP$dBDX$dOCLCF$dCDX$dDGU$dCOO$dNGU$dSTF
042 $apcc
043 $ae-it---
045 $au-u-
050 14 $aPN2672.W65$bK47 2015
055 0 $aPN2672 W65$bK47 2015
082 04 $a792.02/8082$223
100 1 $aKerr, Rosalind,$d1941-$eauthor.
245 14 $aThe rise of the diva on the sixteenth-century commedia dell'arte stage /$cRosalind Kerr.
246 30 $aRise of the diva on the 16th century commedia dell'arte stage
264 1 $aToronto :$bUniversity of Toronto Press,$c[2015]
264 4 $c©2015
300 $axiii, 216 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aToronto Italian studies
504 $aIncludes bibliographical references (pages 187-206) and index.
505 0 $aThe early female performer as marketplace fetish -- Pornographic bawds, courtesans, and maidservants -- Iconic prima donnas -- Transvestite heroines -- Isabella Andreini: the making of a diva -- Conclusion.
650 0 $aWomen in the theater$zItaly$xHistory$y16th century.
650 0 $aActresses$zItaly$xHistory$y16th century.
650 0 $aSex role in the theater$zItaly$xHistory$y16th century.
650 0 $aCommedia dell'arte$xHistory and criticism.
650 7 $aActresses.$2fast$0(OCoLC)fst00796328
650 7 $aCommedia dell'arte.$2fast$0(OCoLC)fst00869248
650 7 $aSex role in the theater.$2fast$0(OCoLC)fst01742637
650 7 $aWomen in the theater.$2fast$0(OCoLC)fst01178050
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
648 7 $a1500 - 1599$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aToronto Italian studies.
852 00 $bglx$hPN2672.W65$iK47 2015g
852 00 $bbar$hPN2672.W65$iK47 2015g