| Record ID | marc_columbia/Columbia-extract-20221130-023.mrc:135239385:1278 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-023.mrc:135239385:1278?format=raw |
LEADER: 01278cam a2200337Ia 4500
001 11361999
005 20150625225402.0
008 150410s2014 gw a bm 000 0dger d
016 7 $a1055917365$2GyFmDB
020 $a9783942720564 (pbk.)
020 $a3942720566 (pbk.)
035 $a(OCoLC)ocn903002892
035 $a(OCoLC)903002892
035 $a(NNC)11361999
040 $aOHX$beng$cOHX$dJPG
043 $aa-ir---
050 4 $aN7289.N47$bS55x 2014
072 7 $aN$2lcco
100 1 $aNeshat, Shirin,$d1957-
245 10 $aShirin Neshat :$bdas Oeuvre der Künstlerin von den Women of Allah (1993-1997) bis zu den Women without Men (2009) im Spannungsfeld der Kritik an ihrem Werk /$cAnna Flammersfeld.
260 $aKöln :$bKölner Wissenschaftsverlag,$c2014.
300 $axi, 391 p. :$bill. (chiefly col.) ;$c21 cm.
502 $aThesis (doctoral) - Rheinische Friedrich Wilhelms-Universität, Bonn, 2014.
504 $aIncludes bibliographical references.
600 10 $aNeshat, Shirin,$d1957-
650 0 $aVideo art$zIran$y20th century.
650 0 $aVideo art$zIran$y21st century.
650 0 $aPhotography, Artistic$y20th century.
650 0 $aPhotography, Artistic$y21st century.
700 1 $aFlammersfeld, Anna.
852 00 $bfaxlcn$hN7289.N47$iS55 2014g