MARC Record from marc_columbia

LEADER: 01920cam a2200361 i 4500
001 11325540
005 20150420150329.0
008 140513s2015 nyu b 001 0 eng
010 $a 2014018842
020 $a9780199357574$qhardback$qalk. paper
020 $a0199357579$qhardback$qalk. paper
024 $a40024654850
035 $a(OCoLC)ocn880349805
035 $a(OCoLC)880349805
035 $a(NNC)11325540
040 $aDLC$erda$beng$cDLC$dYDX$dOCLCF$dUKMGB$dNYP$dYDXCP$dUPZ
042 $apcc
050 00 $aML2854$b.G56 2015
082 00 $a782.42$223
100 1 $aGioia, Ted,$eauthor.
245 10 $aLove songs :$bthe hidden history /$cTed Gioia.
264 1 $aNew York, NY :$bOxford University Press,$c[2015]
300 $axiii, 315 pages ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aBirds do it! -- Procreative music -- Sappho and Confucius -- Love in ancient Rome -- Debauched maidens and lustful harlots -- The North African and Middle Eastern connection -- The troubadours -- The triumph of romance -- A love supreme -- Profane love -- Divas and deviancy -- Folk songs and love songs -- Love songs for the mass market -- The African connection (again) -- Crooners, torch songs and bobby-soxers -- Rock 'n' roll and the summer of love -- As nasty as they wanna be.
520 $aUncovers the unexplored history of the love song, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day, and discusses such topics as censorship, the legacy of love songs, and why it is a dominant form of modernmusical expression.
650 0 $aLove songs$xHistory and criticism.
650 7 $aLove songs.$2fast$0(OCoLC)fst01002981
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
852 00 $bmus$hML2854$i.G56 2015