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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-022.mrc:83096021:3682
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-022.mrc:83096021:3682?format=raw

LEADER: 03682pam a2200541 i 4500
001 10657375
005 20190807111942.0
008 130826s2014 nyuaf b 001 0 eng
010 $a 2013034736
020 $a9781441194084 (hardback)
020 $a1441194088 (hardback)
020 $a9781441167262 (paperback)
020 $a1441167269 (paperback)
020 $z9781441148162 (ePub)
024 $a40023251778
035 $a(OCoLC)ocn857141355
035 $a(OCoLC)857141355
035 $a(NNC)10657375
040 $aDLC$beng$erda$cDLC$dOCLCO$dBDX$dYDXCP$dNDD$dCDX$dNhCcYBP
041 1 $aeng$hger
050 00 $aTR183$b.S3713 2014
082 00 $a006.6/93$223
084 $aSOC052000$2bisacsh
100 1 $aSchröter, Jens,$d1970-$eauthor.
240 10 $a3D.$lEnglish
245 10 $a3D :$bhistory, theory, and aesthetics of the transplane image /$cJens Schröter ; translated by Brigitte Pichon and Dorian Rudnytsky ; revised by Jens Schröter.
246 30 $aHistory, theory, and aesthetics of the transplane image
246 3 $aThree D
264 1 $aNew York :$bBloomsbury Academic,$c2014.
300 $ax, 484 pages, 4 unnumbered pages of plates :$billustrations (some color) ;$c23 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aInternational texts in critical media aesthetics ;$vv. 6.
500 $aTranslated from German.
500 $aTranslation of: 3D: Zur geschichte, theorie und medienästhetik des technisch-transplanen bildes.
520 $a"There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military, scientific and medical visualization - precisely because it can provide more spatial information. And now in the 21st century, television and film are employing the method even more. Appearing for the first time in English, Jens Schroeter's comprehensive study of the aesthetics of the 3D image is a major scholarly addition to this evolving field. Citing case studies from the history of both technology and the arts, this wide-ranging and authoritative book charts the development in the theory and practice of three-dimensional images. Discussing and analyzing the transformation of the socio-cultural and technological milieu, Schroeter has produced a work of scholarship that combines impressive historical scope with contemporary theoretical arguments"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 8 $aPart one: theoretical and methodological considerations -- Outline -- Part two: case studies -- 1851: Sir David Brewster and the stereoscopic reproduction of sculptures -- Since 1860: photo sculpture -- 1891: Lippmann photography -- Since 1908: integral photography/lenticular images -- 1935-1945: "people without space": people with spatial images -- 1918-1935: Marcel Duchamp: from projection to rotorelief -- Since 1948: the volumetric display -- Since 1948: holography -- Since 1960: repetition and difference: the interactive-transplane image -- Part three: conclusions -- 2013: resume.
650 0 $aPhotography$xPsychological aspects.
650 0 $aThree-dimensional imaging$xHistory.
650 0 $aImagery (Psychology)
650 0 $aAesthetics.
650 7 $aSOCIAL SCIENCE / Media Studies.$2bisacsh
700 1 $aPichon, Brigitte,$etranslator.
700 1 $aRudnytsky, Dorian,$etranslator.
830 0 $aInternational texts in critical media aesthetics ;$vv. 6.
852 00 $bfaxlc$hTR183$i.S3713 2014