MARC Record from marc_columbia

LEADER: 01767cam a2200385Ia 4500
001 10615342
005 20140317135738.0
008 140110s2013 gw ach b 000 idger d
016 7 $a1034389947$2GyFmDB
019 $a865469743
020 $a9783868321630
020 $a3868321632
029 1 $aNLGGC$b371043247
029 1 $aZWZ$b175388075
035 $a(OCoLC)ocn854858125
035 $a(OCoLC)854858125$z(OCoLC)865469743
035 $a(NNC)10615342
040 $aERASA$beng$cERASA$dNLGGC$dJPG$dOHX
043 $ae-gx---
050 4 $aN6888.D59$bA3x 2013
072 7 $aN$2lcco
082 04 $a709.04
100 1 $aDix, Otto,$d1891-1969.
245 10 $aOtto Dix :$bBriefe /$cherausgegeben von Ulrike Lorenz ; bearbeitet und kommentiert von Gudrun Schmidt.
246 30 $aBriefe
260 $aKöln :$bWienand,$cc2013.
300 $a1021 p. :$bill., facsims., ports. ;$c24 cm.
504 $aIncludes bibliographical references.
520 8 $aHis grotesque and satirical paintings of the 1920s have long been entrenched in the public consciousness. But what were Otto Dix's (1891-1969) thoughts beyond the realms of art, and what were his opinions? In contrast to his fellow artists Paul Klee, Max Beckmann and George Grosz, the artist did not publish texts or author books. This makes access to his personal correspondence from the previously unpublished letters in his estate all the more valuable. A selection of more than one thousand documents provides a direct take on the social circumstances of his time.
600 10 $aDix, Otto,$d1891-1969$vCorrespondence.
650 0 $aArtists$zGermany$vCorrespondence.
655 7 $aBrieven (vorm)$2gtt
700 1 $aSchmidt, Gudrun.
700 1 $aLorenz, Ulrike,$d1963-
852 00 $boff,fax$hN6888.D59$iA3 2013g