Record ID | marc_columbia/Columbia-extract-20221130-022.mrc:56755571:1501 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-022.mrc:56755571:1501?format=raw |
LEADER: 01501cam a2200289 4500
001 10614279
005 20140219123004.0
008 120222s2013 be a b 001 0ddut d
019 $a795761062
020 $a9782503536750
020 $a2503536751
029 1 $aNLGGC$b369635604
035 $a(OCoLC)ocn779255206
035 $a(OCoLC)779255206$z(OCoLC)795761062
035 $a(NNC)10614279
040 $aERASA$beng$cERASA$dOCLCQ$dYDXCP$dBTCTA$dNLGGC$dCDX$dOCLCO$dJPG
043 $ae-uk---
050 4 $aND623.T7$bR43x 2013
082 04 $a709.945
245 04 $aThe reception of Titian in Britain :$bfrom Reynolds to Ruskin /$cedited by Peter Humfrey.
260 $aTurnhout :$bBrepols,$cc2013.
300 $a258 p. :$bill. (some col.) ;$c30 cm.
504 $aIncludes bibliographical references and index.
520 8 $aThis volume comprises sixteen essays on the reception of Titian by British painters, collectors and critics in the long nineteenth century. The main focus falls on the first three decades of the century, in the aftermath of the exhibition of the celebrated Orléans collection in London in 1798-99. But the chronology extends from Reynolds and his contemporaries, around the time of the founding of the Royal Academy in 1768, to the more diverse and complicated reactions of the Victorian age, and even into the twentieth century.
600 00 $aTitian,$dapproximately 1488-1576$xAppreciation$zGreat Britain.
700 1 $aHumfrey, Peter,$d1947-
852 00 $bfaxlc$hND623.T7$iR43 2013g