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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-022.mrc:50648921:3268
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-022.mrc:50648921:3268?format=raw

LEADER: 03268pam a2200457 i 4500
001 10603110
005 20140121184641.0
008 130806s2014 nyua b 001 0 eng
010 $a 2013023733
019 $a844308879
020 $a9780814789322 (hardback)
020 $a0814789323 (hardback)
020 $a9780814770412 (pb)
020 $a081477041X (pb)
024 $a40023046837
035 $a(OCoLC)ocn844308866
035 $a(OCoLC)844308866$z(OCoLC)844308879
035 $a(NNC)10603110
040 $aDLC$beng$erda$cDLC$dYDXCP$dBTCTA$dBDX$dOCLCO$dUKMGB$dNhCcYBP
042 $apcc
043 $an-us---
050 00 $aML3917.U6$bR43 2014
082 00 $a782.42089/96$223
084 $aSOC001000$aHIS000000$2bisacsh
100 1 $aRedmond, Shana L.,$eauthor.
245 10 $aAnthem :$bsocial movements and the sound of solidarity in the African diaspora /$cShana L. Redmond.
264 1 $aNew York :$bNew York University Press,$c[2014]
300 $axi, 345 pages ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this "sound franchise" contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I. Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world--from James Weldon Johnson's "Lift Ev'ry Voice and Sing" that mobilized the NAACP to Nina Simone's "To Be Young, Gifted & Black" which became the Black National Anthem of the Congress of Racial Equality (CORE)--Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation. Shana L. Redmond is Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is a former musician and labor organizer"--$cProvided by publisher.
650 0 $aAfrican Americans$xMusic$xPolitical aspects.
650 0 $aAnthems$xPolitical aspects.
650 0 $aCivil rights movements$xHistory$y20th century.
650 0 $aMusic$xPolitical aspects$zUnited States.
650 7 $aSOCIAL SCIENCE / Ethnic Studies / African American Studies.$2bisacsh
650 7 $aHISTORY / General.$2bisacsh
852 00 $bmus$hML3917.U6$iR43 2014
852 00 $bbar$hML3917.U6$iR43 2014