MARC Record from marc_columbia

LEADER: 05162cam a2200505Ii 4500
001 10557631
005 20140121171039.0
008 131126s2013 nyua bc 000 0 eng d
010 $a 2013941523
015 $aGBB376474$2bnb
016 7 $a016482642$2Uk
020 $a9780870708862 (hbk.)
020 $a0870708864 (hbk.)
024 8 $zMoMA 2269
035 $a(OCoLC)ocn857524519
035 $a(OCoLC)857524519
035 $a(NNC)10557631
040 $aUKMGB$beng$cUKMGB$dOCLCO$dMMX$dOCLCO$dGZM$erda$dPMN$dCAM$dHCO
050 4 $aN6888.G46$bA4 2013
082 04 $a730.92$223
100 1 $aGenzken, Isa,$d1948-,$eartist.
245 10 $aIsa Genzken :$bretrospective /$cSabine Breitwieser, Laura Hoptman, Michael Darling, and Jeffrey Grove with an essay by Lisa Lee.
264 1 $aNew York :$bThe Museum of Modern Art in collaboration with Museum of Contemporary Art Chicago, Dallas Museum of Art,$c[2013]
264 4 $c©2013
300 $a334 pages :$billustrations (chiefly color) ;$c32 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Published in conjunction with the exhibition Isa Genzken: Retrospective, organized by The Museum of Modern Art, New York; the Museum of Contemporary Art Chicago; and the Dallas Museum of Art . . . The exhibition appears at The Museum of Modern Art from November 23, 2013, to March 10, 2014; at the Museum of Contemporary Art Chicago from April 12 to August 3, 2014; and at the Dallas Museum of Art from September 14, 2014, to January 4, 2015"--Page 333.
504 $aIncludes bibliographical references (pages 324-325).
505 00 $tDirectors' Foreword /$rMaxwell L. Anderson, Madeleine Grynsztejn, Glenn E. Lowry --$tAcknowledgments /$rSabine Breitwieser, Michael Darling, Jeffrey Grove, Laura Hoptman --$tThe characters of Isa Genzken: between the personal and the constructive, 1970-1996 /$rSabine Breitwieser --$tPlates, 1974-1994 --$tIsa Genzken: the art of assemblage, 1993-2013 /$rLaura Hoptman --$tPlates, 1995-2013 --$tIsa Genzken, model citizen /$rLisa Lee --$tIsa Genzken: Himmel und Erde (Heaven and Earth) /$rMichael Darling --$tIsa Genzken's homage to herself /$rJeffrey Grove --$tChronology /$rStephanie Weber --$tSelected exhibition history /$rcompiled by Stephanie Weber --$tSelected bibliography /$rcompiled by Stephanie Weber --$tExhibition checklist --$tLenders to the exhibition --$tTrustees of The Museum of Modern Art.
520 $a"Isa Genzken is arguably one of the most important and influential female artists of the past 30 years, yet the breadth of her achievement -- which spans sculptures, paintings, photographs, collages, drawings, artist's books, films, installations and public works -- is still largely unknown in the United States. Published in conjunction with the first comprehensive retrospective of the artist's epically diverse body of work, this publication encompasses Genzken's work in all media over the past 40 years and is the most complete monograph on the artist available in English. Genzken has been part of the artistic discourse since she began exhibiting in the mid-1970s, but over the last decade a new generation of artists has been inspired by her radical inventiveness. The past ten years have been particularly productive for Genzken, who has created several bodies of work that have redefined assemblage for a new era. The catalogue presents Genzken's career, through essays exploring the unfolding of her practice from 1973 until today, as well as an expansive plate section that provides a chronological overview of all her most important bodies of work and key exhibitions. Born in Germany in 1948, Isa Genzken is one of Germany's most important living artists. In the mid-1970s, as a student at Düsseldorf's renowned Kunstakademie, she created geometric wood sculptures, which gained her early international acclaim (she exhibited these works at Documenta 7 and the Venice Biennale in 1982). Since then, she has made sculptures in plaster, concrete and epoxy resin. Ranging in size from maquettes to monumental, these abstract works are influenced by Minimalism, but are decidedly narrative. Paintings that examine ideas of surface and light, as well as photographs, collages, artist's books and films, followed in the 1990s. From the late 90s on, Genzken began to create increasingly complex sculptural installations"--Amazon.com, viewed December 18, 2013.
600 10 $aGenzken, Isa,$d1948-$vExhibitions.
700 1 $aBreitwieser, Sabine,$eauthor.
700 1 $aHoptman, Laura J.,$d1962-,$eauthor.
700 1 $aDarling, Michael,$eauthor.
700 1 $aGrove, Jeffrey D.,$eauthor.
700 1 $aLee, Lisa,$d1978-,$ewriter of added commentary.
700 1 $aWeber, Stephanie,$ewriter of supplementary textual content.
710 2 $aMuseum of Modern Art (New York, N.Y.),$ehost institution.
710 2 $aMuseum of Contemporary Art (Chicago, Ill.),$ehost institution.
710 2 $aDallas Museum of Art,$ehost institution.
852 00 $bfaxlc$hN6888.G46$iA4 2013g
852 00 $bbar$hN6888.G46$iA4 2013g