| Record ID | marc_columbia/Columbia-extract-20221130-022.mrc:238033286:1774 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-022.mrc:238033286:1774?format=raw |
LEADER: 01774cam a2200457 i 4500
001 10970300
005 20141124152822.0
008 131122s2014 nyua b 001 0 eng
010 $a 2013047108
020 $a9780199357161 (hardcover : alk. paper)
020 $a0199357161 (hardcover : alk. paper)
020 $a9780199357178 (pbk. : alk. paper)
020 $a019935717X (pbk. : alk. paper)
024 $a99959999428
035 $a(OCoLC)864789793
035 $a(OCoLC) 2013047108
035 $a(NNC)10970300
040 $aDLC$erda$cDLC$dBDX$dYDXCP$dBTCTA$dUKMGB$dOCLCO$dZGO$dOCLCF$dNhCcYBP
042 $apcc
050 00 $aML3790$b.B842 2014
082 00 $a781.4909$223
100 1 $aBurgess, Richard James,$eauthor.
245 14 $aThe history of music production /$cRichard James Burgess.
264 1 $aNew York, NY :$bOxford University Press,$c2014.
300 $axiv, 245 pages ;$billustrations ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
650 0 $aSound recording industry$xHistory.
650 0 $aSound recordings$xProduction and direction$xHistory.
650 0 $aSound$xRecording and reproducing$xHistory.
650 0 $aSound recordings$xHistory.
650 0 $aMusic and technology.
650 7 $aMusic and technology.$2fast$0(OCoLC)fst01030490
650 7 $aSound$xRecording and reproducing.$2fast$0(OCoLC)fst01126957
650 7 $aSound recording industry.$2fast$0(OCoLC)fst01127019
650 7 $aSound recordings.$2fast$0(OCoLC)fst01127034
650 7 $aSound recordings$xProduction and direction.$2fast$0(OCoLC)fst01127057
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
852 00 $bmus$hML3790$i.B842 2014