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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-021.mrc:94148334:2270
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-021.mrc:94148334:2270?format=raw

LEADER: 02270cam a2200301 a 4500
001 10258497
005 20130520185747.0
008 120831s2012 nju 001 0 eng
010 $a 2012033787
020 $a9781557838506 (hbk.)
020 $a155783850X (hbk.)
024 $a40022185012
035 $a(OCoLC)ocn781680081
035 $a(OCoLC)781680081
035 $a(NNC)10258497
040 $aDLC$beng$cDLC$dIG#$dBTCTA$dYDXCP$dCOD$dUKMGB
050 00 $aPN1997.T63$bT38 2012
082 00 $a791.43/72$223
100 1 $aTasogawa, Hiroshi,$d1934-
245 10 $aAll the emperor's men :$bKurosawa's Pearl Harbor /$cHiroshi Tasogawa.
260 $aMontclair, N.J. :$bApplause Books,$c2012.
300 $a337 p. :$bill. ;$c24 cm.
500 $aIncludes index.
505 0 $aForeword / Elmo Williams -- Introduction / Peter Cowie -- Prologue -- -- Extraordinary men -- Wheel of fortune -- Kurosawa's magic -- Eyes from heaven -- Into the den of tigers -- Starting over -- Phantom fleet -- Countdown to the fall -- Sound and fury -- World on his shoulders -- Was he mad? -- Crooks and contracts -- In the shadow of a tiger -- Epilogue.
520 $a"When 20th Century Fox planned its blockbuster portrayal of Japan's attack on Pearl Harbor, it looked to Akira Kurosawa -- a man whose mastery of the cinema led to his nickname "the Emperor" -- to direct the Japanese sequences. Yet a matter of three weeks after he began shooting the film in December 1968, Kurosawa was summarily dismissed and expelled from the studio. The tabloids trumpeted scandal: Kurosawa had himself gone mad; his associates had betrayed him; Hollywood was engaged in a conspiracy. Now, for the first time, the truth behind the downfall and humiliation of one of cinema's greatest perfectionists is revealed in All the Emperor's Men. Journalist Hiroshi Tasogawa probes the most sensitive questions about Kurosawa's thwarted ambition and the demons that drove him. His is a tale of a great clash of personalities, of differences in the ways of making movies, and ultimately of a clash between Japanese and American cultures."--P. [2] of jacket.
630 00 $aTora! Tora! Tora! (Motion picture)
600 10 $aKurosawa, Akira,$d1910-1998$xCriticism and interpretation.
852 00 $bglx$hPN1997.T63$iT38 2012