| Record ID | marc_columbia/Columbia-extract-20221130-021.mrc:54506322:1088 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-021.mrc:54506322:1088?format=raw |
LEADER: 01088cam a2200265 a 4500
001 10170905
005 20130422122359.0
008 120715s2012 enka b 000 0 eng
020 $a1780996292
020 $a9781780996295
035 $a(OCoLC)ocn822026968
035 $a(NNC)10170905
040 $aAU@$beng$cAU@$dOCLCO$dBTCTA$dYDXCP$dYNK$dBDX$dNDD$dGZQ$dERASA
050 4 $aN66$b.S564 2012
082 04 $a111/.85$223
100 1 $aSingh, Iona.
245 10 $aColor, facture, art and design :$bartistic technique and the precisions of human perception /$cIona Singh.
246 14 $aColor facture art & design
260 $aWinchester, U.K. :$bZero Books,$c2012.
300 $a184 p. :$bill. ;$c22 cm.
504 $aIncludes bibliographic references.
505 0 $aMachine generated contents note: 1.Vermeer, Materialism and the Transcendental in Art -- 2.Color, Facture, Art and Design -- 3.Visual Syntax -- 4.Women, Culture, Class, Labor -- 5.Aesthetic World in the Future -- 6.JMW Turner as Producer.
650 0 $aAesthetics.
650 0 $aArt and society.
852 00 $bfaxlc$hN66$i.S564 2012g