| Record ID | marc_columbia/Columbia-extract-20221130-021.mrc:19351463:1431 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-021.mrc:19351463:1431?format=raw |
LEADER: 01431cam a2200301Ia 4500
001 10083438
005 20130121132103.0
008 121126s2012 stka b 001 0 eng d
016 7 $a016142880$2Uk
019 $a794366428
020 $a0748640541
020 $a9780748640546
035 $a(OCoLC)ocn775413292
035 $a(OCoLC)775413292$z(OCoLC)794366428
035 $a(NNC)10083438
040 $aYDXCP$beng$cYDXCP$dBTCTA$dERASA$dUKMGB$dOCLCQ$dNLE$dYNK$dCDX$dBWX$dGUA
043 $ae-it---
050 14 $aPN1995.9.R3$bB37 2012
100 1 $aBarattoni, Luca.
245 10 $aItalian post-neorealist cinema /$cLuca Barattoni.
260 $aEdinburgh :$bEdinburgh University Press,$c2012.
300 $axi, 292 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. 248-268) and index.
505 0 $a1. Historic, economic, and cultural background -- 2. The New Wave proper/Italian style debate and the explosion of national cinemas -- 3. The aesthetics emerging after the war -- 4. Ideological perimeters: the Catholic-Marxist protocol -- 5. Negotiating modernity: the ethics of disorientation and entrenchment -- 6. Reimagining national identity -- 7. Behavioral codes and sexual mores -- Conclusion: the missing Italy and its missing cinema today.
650 0 $aRealism in motion pictures.
650 0 $aMotion pictures$zItaly$xHistory.
852 0 $bglx$hPN1995.9.R3$iB37 2012g
852 00 $bbar$hPN1995.9.R3$iB37 2012g