MARC Record from marc_columbia

LEADER: 02191cam a2200313Ia 4500
001 10432140
005 20180115115030.0
008 101105s2011 maua b 001 0 eng d
020 $a9780312446345
020 $a0312446349
035 $a(OCoLC)ocn679935687
035 $a(NNC)10432140
040 $aBTCTA$beng$cBTCTA$dPSC$dMNK$dYDXCP$dBWX$dKIJ$dMDS$dPSM$dU9X
082 04 $a791.4301$222
090 $aPN1995$b.C75 2011
245 00 $aCritical visions in film theory :$bclassic and contemporary readings /$cedited by Timothy Corrigan, Patricia White, with Meta Mazaj.
260 $aBoston :$bBedford/St. Martin's,$c2011.
300 $axxi, 1173 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references and index.
520 $aCritical Visions in Film Theory embraces new approaches in the field without ignoring the history of classical film theory. The book includes classic debates in areas like film form, genre, and authorship, as well as new conversations on such topics as race, gender and sexuality, and new media. Critical Visions also provides guidance for students, giving them the context and the tools they need to critically engage with theory and apply it to their film experiences. --publisher's description.
505 0 $aPart 1. Experiencing film : from perception to reception -- Part 2. The sights, sounds, and signs of cinema -- Part 3. Modernism and realism : debates in classical film theory -- Part 4. Auteurism : directors, stars, and beyond -- Part 5. Genre : classifying stories -- Part 6. Narrative : telling stories -- Part 7. Alternative modes : experimental and documentary film -- Part 8. Sexuality and gender in cinema : from psychoanalysis to performativity -- Part 9. Race and ethnicity in cinema : from stereotypes to self-representation -- Part 10. National and transnational film histories -- Part 11. Screen cultures : current debates.
650 0 $aMotion pictures$xStudy and teaching.
650 0 $aMotion pictures$xHistory.
650 0 $aFilm criticism.
700 1 $aCorrigan, Timothy.
700 1 $aWhite, Patricia,$d1964-
700 1 $aMazaj, Meta,$d1971-
852 00 $bmil$hPN1995$i.C754 2011g
852 00 $bmil$hPN1995$i.C754 2011g