| Record ID | marc_columbia/Columbia-extract-20221130-021.mrc:158831327:1367 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-021.mrc:158831327:1367?format=raw |
LEADER: 01367cam a2200325Ma 4500
001 10419540
005 20130917005512.0
008 130718s2013 enkaf b 001 0 eng
015 $aGBB076170$2bnb
016 7 $a015584320$2Uk
020 $a9781842432549 (pbk.)
020 $a1842432540 (pbk.)
035 $a(OCoLC)ocn854498906
035 $a(OCoLC)854498906
035 $a(NNC)10419540
040 $aUKM$cSTF
050 4 $aPN1995$b.M346 2013
100 1 $aMartin, Sean,$d1966-,$eauthor.
245 10 $aNew waves in cinema /$cSean Martin.
264 1 $aHarpenden, Herts :$bKamera Books,$c2013.
300 $a320 pages, [8] pages of plates :$bill. (black and white, and colour) ;$c20 cm.
336 $atext$2rdacontent
336 $astill image$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aIncludes QR code.
504 $aIncludes bibliographical references (pages 280-291) and index.
520 8 $aSean Martin explores the history of the many New Waves that have appeared since the birth of cinema, including the German Expressionists, the Soviet Formalists and the Italian Neorealists. In addition he looks at the movements traditionally seen as the French New Wave's contemporaries and heirs, such as the British New Wave.
650 0 $aNew wave films$xHistory and criticism.
852 0 $bglx$hPN1995$i.M346 2013