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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-021.mrc:116567268:2921
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-021.mrc:116567268:2921?format=raw

LEADER: 02921cam a2200361Ma 4500
001 10305495
005 20141021141339.0
008 130527s2013 sz ae 000 0 eng d
019 $a830371166
020 $a9783037783092
020 $a3037783095
029 1 $aNLGGC$b363195416
029 1 $aNZ1$b14952955
035 $a(OCoLC)ocn840887128
035 $a(OCoLC)840887128$z(OCoLC)830371166
035 $a(NNC)10305495
040 $aERASA$beng$cERASA$dYDXCP$dKUK$dBDX$dCUY
043 $aa-cc---
050 4 $aNA737.W667$bL54 2013
050 4 $aNA680
082 04 $a724.6
245 04 $aThe light pavilion by Lebbeus Woods and Christoph a. Kumpusch for the Sliced Porosity Block in Chengdu, China 2007-2012 /$ceditor, Christoph a. Kumpusch.
260 $aEnnetbaden :$bLars Müller Verlag,$c2013.
300 $a87 p. :$bchiefly col. ill., plans ;$c24 x 24 cm.
520 8 $aThe first built project and final creative work of artist and architect Lebbeus Woods (1940-2012), the Light Pavilion is transcendent architecture, a project that exemplifies the preoccupations of a consummate draftsman, thinker and educator. Nestled within a mixed-use complex in Chengdu, China, this daring construction is an emancipated drawing, a light and shadow machine, a chromatic calendar, a fugue of steel, a dance of space and form. The pavilion's dynamic geometry, perspective and sequence of spaces reframe perceptions of architecture and urbanism. Filled with drawings, detail specifications, and construction documentation, this book also features breathtaking photography by Iwan Baan; commentary by Zaha Hadid, Steven Holl, Thom Mayne, Neil Denari, and Eric Owen Moss; historical analysis by Mark Morris; and an epilog by project collaborator Christoph a. Kumpusch.
520 8 $aThe first built project and final creative work of artist and architect Lebbeus Woods, the Light Pavilion is transcendent architecture, a project that exemplifies the preoccupations of a consummate draftsman, thinker and educator. Nestled within a mixed-use complex in Chengdu, China, this daring construction is an emancipated drawing, a light and shadow machine, a chromatic calendar, a fugue of steel, a dance of space and form. The pavilions dynamic geometry, perspective and sequence of spaces reframe perceptions of architecture and urbanism. Filled with drawings, detail specifications, and construction documentation, this book also features breathtaking photography by Iwan Baan; commentary by Zaha Hadid, Steven Holl, Thom Mayne, Neil Denari, and Eric Owen Moss; historical analysis by Mark Morris; and an epilog by project collaborator Christoph a. Kumpusch.
650 0 $aArchitecture$zChina$xHistory$y21st century.
650 0 $aVisionary architecture.
600 10 $aWoods, Lebbeus.
653 $amixed use
700 1 $aKumpusch, Christoph a.
852 00 $bavelc$hNA737.W667$iL54 2013g
852 00 $boff,ave$hNA737.W667$iL54 2013g