| Record ID | marc_columbia/Columbia-extract-20221130-020.mrc:12421099:1708 |
| Source | marc_columbia |
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LEADER: 01708cam a2200301Ia 4500
001 9546898
005 20120823170037.0
008 101101s2012 be a b 000 0 eng d
016 7 $a016092636$2Uk
020 $a9789058678454
020 $a9058678458
035 $a(OCoLC)ocn676870353
035 $a(NNC)9546898
040 $aERASA$beng$cERASA$dOCLCQ$dBTCTA$dYDXCP$dBDX$dOHX$dCDX$dOCLCO$dQGK$dUKMGB$dKLM$dBWX$dUAB
050 4 $aML410.M93$bD73 2012
072 7 $aML$2lcco
082 04 $a780
245 00 $aDramma Giocoso :$bfour contemporary perspectives on the Mozart/Da Ponte operas /$cJulian Rushton ... [et al.].
260 $a[Leuven] :$bLeuven University Press,$c2012.
300 $a143 p. :$bill. ;$c24 cm.
490 1 $aCollected writings of the Orpheus Institute ;$v10
504 $aIncludes bibliographical references.
520 8 $aIn exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, this collection of studies does not shun approaches that have foundations in established theory, but refracts them through such problems as the tension between operatic tradition and psychological realism, the co-existence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions, but also probe the nature of musical analysis itself.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791$xCriticism and interpretation.
600 10 $aDa Ponte, Lorenzo,$d1749-1838$xCriticism and interpretation.
700 1 $aRushton, Julian.
830 0 $aCollected writings of the Orpheus Institute ;$v#10.
852 00 $bmus$hML410.M93$iD73 2012g