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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-019.mrc:58762094:2243
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-019.mrc:58762094:2243?format=raw

LEADER: 02243cam a2200241Ia 4500
001 9171260
005 20120220191440.0
008 090530s2011 enk 000 p eng d
020 $a9781845231422
020 $a1845231422
024 $a40020142198
035 $a(OCoLC)ocn368039598
035 $a(OCoLC)368039598
035 $a(NNC)9171260
040 $aBTCTA$cBTCTA$dYDXCP$dCDX$dDGU$dNhCcYBP
050 4 $aPR9265.9.D39$bW44 2011
100 1 $aDawes, Kwame Senu Neville,$d1962-
245 10 $aWheels :$bpoems /$cKwame Dawes.
260 $aLeeds :$bPeepal Tree Press,$c2011.
300 $a205 p. ;$c21 cm.
505 0 $aWheels -- Measure -- Brimming -- Thunder in the egg -- Home, again.
520 8 $a"In 'Wheels', Kwame Dawes brings the lyric poem face to face with the politics, natural disasters, social upheavals and ideological complexity of the world in the first part of this century. The poems do not pretend to have answers, and Dawes's core interest remains the power of language to explore and discover patterns of meaning in the world around him. So that whether it is a poem about a near victim of the Lockerbie terrorist attack reflecting on the nature of grace, a sonnet sequence contemplating the significance of the election of Barack Obama, an Ethiopian emperor lamenting the death of a trusted servant in the middle of the twentieth century, a Rastafarian in Ethiopia defending his faith at the turn of the twenty-first century, a Haitian reflecting on the loss of everything familiar, these are poems seeking a way to understand the world. One sequence is framed around the imagined wheels of the prophet Ezekiel's vision, mixing in images from Garcia Marquez's novels, passages from the Book of Ezekiel and the current overwhelming bombardment of wall-to-wall news; another reflects on Ethiopia and Rastafarian faith; and a third dialogues with the postmodernist South Carolinian landscape artist, Brian Rutenberg. At the head of the collection is a book's worth of poems written in homage to the people of Haiti following repeated visits after the earthquake of 2010. The collection ends where Dawes' poetry began: on the streets of Kingston, Jamaica"--Publisher's description, back cover.
852 00 $bglx$hPR9265.9.D39$iW44 2011g