MARC Record from marc_columbia

LEADER: 02254cam a2200361Ia 4500
001 9342289
005 20131014170159.0
008 120316s2011 gw a bc 000 0 ger d
020 $a9783863350932
020 $a3863350936
035 $a(OCoLC)765810027
035 $a(GyWOH)har110290637
035 $a(OCoLC)ocn765810027
035 $a(NNC)9342289
040 $aERASA$cERASA$dN15$dFXM$dHFL
041 0 $ager$aeng
050 4 $aND623.B7$bA4 2011
082 04 $a700.411.2
245 00 $aBotticelli, Grey /$cherausgegeben von, Sherin Najjar und Stefan Weppelmann.
260 $aKöln :$bBuchhandlung Walther König$cc2011.
300 $a72 p. :$bill. (some col.) ;$c22 cm.
500 $aCatalog of an exhibition held at the Gemäldegalerie der Staatlichen Museen, Berlin, Germany, Sept. 3, 2011-Aug. 18, 2012.
504 $aIncludes bibliographical references (p. 70).
520 8 $aThe Berlin Gemäldegalerie invited American artist Michael Joaquin Grey to choose one of the well-known Renaissance portraits in the museum's collection and produce a contemporary artistic reaction to the work. Grey chose Sandro Botticelli's painting "Simonetta Vespucci" (ca. 1475). The portrait is the basis for the computer generated work "Between Simonetta", which slowly but continuously alters the portrait by means of an algorithmic program, calculating ever-new combinations. Questions arising from this work - of likeness and ideal, of authenticity, temporality and the transformation of the image - lie at the centre of the catalogue. The artist at once thematizes the paradigms of human perception and explores the genesis of the face as a constructive, self-reflexive process.0Exhibition: Gemäldegalerie der Staatlichen Museen, Berlin (3.9.2011-18.8.2012).
600 10 $aBotticelli, Sandro,$d1444 or 1445-1510$xCriticism and interpretation$vExhibitions.
600 10 $aGrey, Michael Joaquin,$d1961-$vExhibitions.
600 10 $aVespucci, Simonetta,$dapproximately 1453-1476$vExhibitions.
700 1 $aBotticelli, Sandro,$d1444 or 1445-1510.
700 1 $aGrey, Michael Joaquin,$d1961-
700 1 $aNajjar, Sherin.
700 1 $aWeppelmann, Stefan.
710 2 $aGemäldegalerie (Staatliche Museen zu Berlin)
852 00 $bfaxlc$hND623.B7$iA4 2011g