MARC Record from marc_columbia

LEADER: 03827cam a2200649Ia 4500
001 8660684
005 20161027215212.0
008 100907s2011 stkab bq 001 0 eng d
010 $a 2011431714
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035 $a(OCoLC)ocn662577175
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043 $ae-it---
050 4 $aPN1993.5.I88$bM37 2011
082 04 $a791.43094573$222
084 $a24.32$2bcl
100 1 $aMarlow-Mann, Alex.
245 14 $aThe new Neapolitan cinema /$cAlex Marlow-Mann.
260 $aEdinburgh :$bEdinburgh University Press,$c©2011.
300 $axiii, 242 pages :$billustrations, maps ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTraditions in world cinema
504 $aIncludes bibliographical references (pages 221-229) and index.
504 $a"Filmography": pages 217-220.
505 0 $aNeapolitan cinema and the Italian film industry -- Characteristics and functions of the Neapolitan formula -- Estranei all massa: the new Neapolitan cinema and the crisis of Napoletanita -- Gold and dust: hybridity, postmodernism and the legacy of Neapolitan narrative -- Symbolic politics: the Neapolitan renaissance and the politics of the new Neapolitan cinema.
520 $aTh̀is superbly researched volume provides a wealth of information on the recent renaissance of filmmaking in Naples, considered in its broader cultural context. Not only does the author build a persuasive analysis of this body of films, but he also offers crucial insights into the conditions of their production.'
520 $aAine O'Healy, Loyola Marymount University.
520 $aVito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples became a thriving centre for film production.
520 $aIn this first study in English, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement's relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a comprehensive re-examination of Neapolitan identity. --Book Jacket.
650 0 $aMotion pictures$zItaly$zNaples$xHistory.
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aItaly$zNaples.$2fast$0(OCoLC)fst01204441
650 17 $aFilmkunst.$2gtt
650 17 $aFilms.$2gtt
651 7 $aNapels (stad)$2gtt
650 7 $aFilm.$2idszbz
650 7 $aFilmwirtschaft.$2idszbz
651 7 $aNeapel.$2idszbz
651 7 $aItalien.$2idszbz
650 7 $aFilm$xhistoria$zItalien$zNeapel.$2sao
650 7 $aItalien, Neapel.$2sfit
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aTraditions in world cinema.
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy1316/2011431714-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy1316/2011431714-d.html
852 00 $bglx$hPN1993.5.I88$iM287 2011g