MARC Record from marc_columbia

LEADER: 01950cam a2200337Ka 4500
001 8928485
005 20111004004122.0
008 110112s2011 enka bc 001 0deng d
020 $a9780856677014 (hardback ed.)
020 $a0856677019 (hardback ed.)
020 $a9780905807256 (softcover ed.)
020 $a0905807251 (softcover ed.)
035 $a(OCoLC)ocn696727446
035 $a(OCoLC)696727446
035 $a(NNC)8928485
040 $aERASA$cERASA$dYDXCP$dNGA$dCDX
050 4 $aNX543-547.6
082 04 $a700.941
100 1 $aEtty, William,$d1787-1849.
245 10 $aWilliam Etty :$bart & controversy /$cedited by Sarah Burnage, Mark Hallett and Laura Turner.
260 $aLondon :$bPhilip Wilson Publishers ;$a[York, Eng.] :$bYork Museums Trust,$cc2011.
300 $a256 p. :$bcol. ill. ;$c28 cm.
500 $aPublished on the occasion of an exhibition held at the York Art Gallery, York, Eng., June 25, 2011-Juan. 22, 2012.
504 $aIncludes bibliographical references (p. 250) and index.
520 8 $aSummary: William Etty, R.A. (1787-1849) was one of the most prolific and successful British artists working in the first half of the nineteenth century. He was celebrated for his skills as a colourist and ability to emulate the art of the old masters. Etty focused almost exclusively on the nude and contemporaries were quick to acknowledge the artist's ability to translate the studies he made in the life-class into large-scale, highly imaginative historical compositions. At the same time, he faced repeated critical condemnation for what was seen as his preoccupation with 'pulpy' flesh and his perverse interest in the female nude. Exhibition: York Art Gallery, from 25.06.2011 to 22.01.2012.
600 10 $aEtty, William,$d1787-1849$vExhibitions.
700 1 $aBurnage, Sarah.
700 1 $aHallett, Mark,$d1965-
700 1 $aTurner, Laura.
710 2 $aYork City Art Gallery.
852 00 $bfaxlc$hND497.E8$iA4 2011