| Record ID | marc_columbia/Columbia-extract-20221130-017.mrc:39327974:2016 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-017.mrc:39327974:2016?format=raw |
LEADER: 02016cam a2200385 a 4500
001 8218436
005 20221201060500.0
008 100202s2010 ilua b 001 0 eng c
010 $a 2010004262
020 $a9780226388250 (cloth : alk. paper)
020 $a9780226388267 (pbk. : alk. paper)
020 $a0226388255 (cloth : alk. paper)
020 $a0226388263 (pbk. : alk. paper)
024 $a40018579451
035 $a(OCoLC)ocn511622233
035 $a(OCoLC)511622233
035 $a(NNC)8218436
035 $a8218436
040 $aICU/DLC$cDLC$dYDX$dYDXCP$dUKM$dERASA
042 $apcc
050 00 $aN7480$b.I84 2010
082 00 $a707.2/2$222
100 1 $aIversen, Margaret.$0http://id.loc.gov/authorities/names/n85378526
245 10 $aWriting art history :$bdisciplinary departures /$cMargaret Iversen and Stephen Melville.
260 $aChicago :$bUniversity of Chicago Press,$c2010.
300 $ax, 243 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
520 $aSince art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.
505 0 $aWhat's the matter with methodology? -- Historical distance (bridging and spanning) -- On the limits of interpretation: Dürer's Melencolia I -- What the formalist knows -- The spectator: Riegl, Steinberg, and Morris -- The gaze in perspective: Merleau-Ponty, Lacan, Damisch -- Seeing and reading: Lyotard, Barthes, Schapiro -- Plasticity: the Hegelian writing of art -- Curriculum.
650 0 $aArt$xHistoriography.$0http://id.loc.gov/authorities/subjects/sh85007487
650 0 $aArt$xHistory$xPhilosophy.
700 1 $aMelville, Stephen W.$0http://id.loc.gov/authorities/names/n85027302
852 80 $bfax$hN8370$iIv35