| Record ID | marc_columbia/Columbia-extract-20221130-017.mrc:26956718:1969 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-017.mrc:26956718:1969?format=raw |
LEADER: 01969cam a2200373 a 4500
001 8144506
005 20221201055206.0
008 090825t20102010nyua b 001 0 eng
010 $a 2009035453
020 $a9781433108693 (clothbound : alk. paper)
020 $a1433108690 (clothbound : alk. paper)
024 $a40018482184
035 $a(OCoLC)ocn434127101
035 $a(OCoLC)434127101
035 $a(NNC)8144506
035 $a8144506
040 $aDLC$cDLC$dDEBBG$dYDXCP$dC#P$dOrLoB-B
050 00 $aPN3383.P37$bC47 2010
082 00 $a809.7$222
084 $a400$2sdnb
100 1 $aChambers, Robert,$d1943-$0http://id.loc.gov/authorities/names/n2009054047
245 10 $aParody :$bthe art that plays with art /$cRobert Chambers.
260 $aNew York :$bPeter Lang,$c[2010], ©2010.
300 $axiv, 266 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aStudies in literary criticism & theory,$x1073-2004 ;$vv. 21
504 $aIncludes bibliographical references and index.
505 00 $gI.$tTHE ILLUSIVE ART -- $g1.$tA Beside-or-Against Song -- $g2.$tAn Example of Ancient Parody -- $g3.$tParody and Conventions -- $g4.$tParodic Yin, Parodic Yang -- $g5.$tParodic Reflexes -- $g6.$tSpecific and General Parody -- $gII.$tTHE SCOPE OF PARODY -- $g7.$tParody and Criticism, Short Version -- $g8.$tParodic Banging -- $g9.$tParodic Binding -- $g10.$tParodic Blending---Mimicry -- $g11.$tParodic Blending---Mutation -- $g12.$tParodic Blending and Fringe Parody -- $gIII.$tFINAL THOUGHTS -- $g13.$tParodic Innovation and Modernism -- $g14.$tThe Art That Plays with Art.
650 0 $aParody$xHistory and criticism.
650 0 $aParody in literature.$0http://id.loc.gov/authorities/subjects/sh94007537
650 0 $aCriticism.$0http://id.loc.gov/authorities/subjects/sh85034149
830 0 $aStudies in literary criticism and theory ;$vv. 21.
852 00 $bmil$hPN3383.P37$iC47 2010