MARC Record from marc_columbia

LEADER: 03955cam a2200433 a 4500
001 7623744
005 20221201013624.0
008 091028s2010 nyug b 001 0beng
010 $a 2009045610
015 $aGBA9A9144$2bnb
016 7 $a015415563$2Uk
020 $a9781580463355 (hardcover : alk. paper)
020 $a1580463355 (hardcover : alk. paper)
035 $a(OCoLC)ocn351324483
035 $a(OCoLC)351324483
035 $a(NNC)7623744
035 $a7623744
040 $aDLC$cDLC$dBTCTA$dUKM$dC#P$dYDXCP$dBWX$dOrLoB-B
041 1 $aeng$hrus
043 $ae-it---
050 00 $aML410.B98$bK6413 2010
082 00 $a786.2092$222
100 1 $aKogan, G.$q(Grigoriĭ),$d1901-1979.$0http://id.loc.gov/authorities/names/n88010143
240 10 $aFerruchcho Buzoni.$lEnglish$0http://id.loc.gov/authorities/names/n2009069156
245 10 $aBusoni as pianist /$cGrigory Kogan ; translated and annotated by Svetlana Belsky.
260 $aRochester, NY :$bUniversity of Rochester Press,$c2010.
300 $axxii, 172 pages :$bmusic ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aEastman studies in music,$x1071-9989
500 $aTranslated from the Russian.
504 $aIncludes bibliographical references and index.
505 00 $tForeword /$rNina Svetlanova -- $gCh. 1.$t[Busoni's childhood and youth, 1866-88.] -- $gCh. 2.$t[Finland and Moscow, 1889-94.] -- $gCh. 3.$t[Berlin: Busoni's emergence as a great pianist.] -- $gCh. 4.$t[Busoni's technique: Piano orchestration, tone production.] -- $gCh. 5.$t[Busoni's repertoire: An anti-Romantic approach.] -- $gCh. 6.$t[Busoni's interpretation of Beethoven, Liszt, and Chopin.] -- $gCh. 7.$t[Busoni's interpretations. Textural liberties.] -- $gCh. 8.$t[Busoni's interpretations of Bach. Articulation.] -- $gCh. 9.$t[Rhythm and dynamics.] -- $gCh. 10.$t[Busoni's recording of the Liszt's Rigoletto Paraphrase.] -- $gCh. 11.$t[Technical phrasing.] -- $gCh. 12.$t[Technical variants.] -- $gCh. 13.$t[Fingering, pedal.] -- $gCh. 14.$t[Compositions, transcriptions, editions, teaching, writings.] -- $gCh. 15.$t[Busoni's esthetics.] -- $gCh. 16.$t[Busoni's esthetics, continued.] -- $gCh. 17.$t[World War I. Operas.] -- $gCh. 18.$t[Busoni's final years, 1918-24.].
520 1 $a"Ferruccio Busoni is most widely known today as the composer of such works as the Second Violin Sonata. the incidental music for Cozzi's Turandot, and the most monumental piano concerto in the repertory (some eighty minutes long, with male chorus in the finale). But Busoni was also renowned in his day as an author and pedagogue and, most especially, as a pianist. Busoni's recordings of pieces by Chopin and Liszt - and of his own arrangements of keyboard works by Bach and Beethoven - are much prized and studied today by connoisseurs of piano playing. Yet even his most important biographers have cast only a cursory glance at the pianistic aspect of Busoni's fascinating career." "Grigory Kogan's book Busonias Pianist (published in Russian in 1964, and here translated for the first time) was and remains the first and only study to concentrate exclusively on Busoni's contributions to the world of the piano. Busoni as Pianist summarizes reviews of Busoni's playing and his own writings on the subject. It also closely analyzes the surviving piano rolls and recordings, and examines Busoni's editions, arrangements, and pedagogical output. As such, it will be of interest to pianists, teachers and students of the piano, historians, and all who love piano music and the art of piano playing."--BOOK JACKET.
600 10 $aBusoni, Ferruccio,$d1866-1924.$0http://id.loc.gov/authorities/names/n79124601
650 0 $aPianists$zItaly$vBiography.
700 1 $aBelsky, Svetlana.$0http://id.loc.gov/authorities/names/n2009069137
830 0 $aEastman studies in music.$0http://id.loc.gov/authorities/names/n93090808
852 00 $bmus$hML410.B98$iK6413 2010