| Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:2688508:3369 |
| Source | marc_columbia |
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LEADER: 03369cam a22004334a 4500
001 7516888
005 20221201004939.0
008 081016s2009 iluag b 101 0 eng c
010 $a 2008045154
020 $a9780226239262 (cloth : alk. paper)
020 $a9780226239279 (pbk. : alk. paper)
020 $a0226239268 (cloth : alk. paper)
020 $a0226239276 (pbk. : alk. paper)
024 $a40017354961
035 $a(OCoLC)ocn263498196
035 $a(OCoLC)263498196
035 $a(NNC)7516888
035 $a7516888
040 $aICU/DLC$cDLC$dBTCTA$dUKM$dC#P$dOrLoB-B
042 $apcc
043 $ae-fr---
050 00 $aML1727.8.P2$bM85 2009
082 00 $a782.10944/36109034$222
245 00 $aMusic, theater, and cultural transfer :$bParis, 1830-1914 /$cedited by Annegret Fauser and Mark Everist.
260 $aChicago :$bUniversity of Chicago Press,$c2009.
300 $aix, 439 pages :$billustrations, music ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $gPt. I.$tInstitutions -- $g1.$tThe Company at the Heart of the Operatic Institution: Chollet and the Changing Nature of Comic-Opera Role Types during the July Monarchy /$rOlivier Bara -- $g2.$tFromental Halevy within the Paris Opera: Composition and Control /$rDiana R. Hallman -- $g3.$tSystems Failure in Operatic Paris: The Acid Test of the Theatre-Lyrique /$rKatharine Ellis -- $g4.$tJacques Offenbach: The Music of the Past and the Image of the Present /$rMark Everist -- $g5.$tCarvalho and the Opera-Comique: L'art de se hater lentement /$rLesley Wright -- $g6.$tFinding a Stage for French Opera /$rDavid Grayson -- $gPt. II.$tCultural Transfer -- $g7.$tAuber's Gustave III: History as Opera /$rSarah Hibberd -- $g8.$tAnalyzing Mise-en-Scene: Halevy's La juive at the Salle Le Peletier /$rArnold Jacobshagen -- $g9.$tLucia Goes to Paris: A Tale of Three Theaters /$rRebecca Harris-Warrick -- $g10.$tCette musique sans tradition: Wagner's Tannhauser and Its French Critics /$rAnnegret Fauser -- $g11.$tLa sylphide and Les sylphides /$rMarian Smith -- $g12.$tQuestions of Genre: Massenet's Les Erinnyes at the Theatre-National-Lyrique /$rPeter Lamothe -- $gPt. III.$tThe Midi and Spain, or Autour de Carmen -- $g13.$tCarmen: Couleur locale or the Real Thing? /$rKerry Murphy -- $g14.$tSpanish Local Color in Bizet's Carmen: Unexplored Borrowings and Transformations /$rRalph P. Locke -- $g15.$tLa princesse paysanne du Midi /$rSteven Huebner -- $gAppendix.$tA Documentary Overview of Musical Theaters in Paris, 1830-1900 /$rAlicia C. Levin.
500 $aRev. papers from the international symposium "The Institutions of Opera in Paris from the July Revolution to the Dreyfus Affair", held in Chapel Hill and Durham, N.C., Sept. 24-26, 2004.
504 $aIncludes bibliographical references and index.
650 0 $aOpera$zFrance$zParis$y19th century$vCongresses.
650 0 $aOpera$zFrance$zParis$y20th century$vCongresses.
650 0 $aMusical theater$zFrance$zParis$xHistory$y19th century$vCongresses.
650 0 $aMusical theater$zFrance$zParis$xHistory$y20th century$vCongresses.
700 1 $aFauser, Annegret.$0http://id.loc.gov/authorities/names/nr94012126
700 1 $aEverist, Mark.$0http://id.loc.gov/authorities/names/n87806279
852 00 $bbar$hML1727.8.P2$iM85 2009
852 00 $bmus$hML1727.8.P2$iM85 2009