MARC Record from marc_columbia

LEADER: 04242cam a2200445Ka 4500
001 7973136
005 20221130175337.0
008 100916s1914 ru a r 000 p rusod
035 $a(OCoLC)ocn664258523
035 $a(OCoLC)664258523
035 $a(NNC)7973136
035 $a7973136
040 $aZCU$cZCU
043 $ae-ru---$aa-gs---
050 4 $aPG3476.K33$bT36 1914
100 1 $aKamenskiĭ, Vasiliĭ,$d1884-1961.$0http://id.loc.gov/authorities/names/n84110871
245 10 $aTango s korovami :$bzhelezobetonnyi︠a︡ poėmy /$cVasiliĭ Kamenskiĭ ; risunki Vlad i Davida Burli︠u︡kov.
246 30 $aZhelezobetonnyi︠a︡ poėmy
260 $aMoskva :$bIzd. D.D. Burli︠u︡ka, izdateli︠a︡ 1-go zhurnala russkikh futuristov,$c1914.
300 $a[18] leaves :$bill. ;$c20 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aPrinted on the paste side of sheets of wallpaper. The ochre machine-made paper is block-printed in red, white, blue, green and black in a pattern of large flowers. The upper right corner of each leaf is cut at a 45-degree angle, producing five-sided leaves with three short sides and two long. Exceptionally, the recto of the first leaf is the pattern side of the wallpaper, so as to form the front cover. Mounted near the top is a printed sheet of thin greenish paper giving author, title, imprint and price (1 r. 10). The author's name appears beneath the mounted sheet, printed over the wallpaper pattern. On the verso is the relief-printed ill. after Vladimir Burli︠u︡k. The two additional ill., after David Burli︠u︡k, appear on two of the subsequent leaves.
500 $aSix leaves have "ferro-concrete" poems, in which the words appear in compartments separated by straight-line "reinforcing rods." They are: Bani, Konstantinopolʹ, Kabarė Zon, Kartinīi︠a︡ (or Dvoret︠s︡ S.I. Shchukin), T︠S︡irk Nikitina, Skėting rin[g]. The remaining 8 leaves have 6 poems that, while typographically inventive, are arranged as conventional sequences of lines: Telefon no. 2B = 128, Tango s korovami, Vyzov, Bosikom po krapive, Kinematograf, Polet Vasi Kamenskago na aėroplane v Varshave.
500 $aLast leaf has two publisher's notices. The first is for no. 1/2 of Pervyĭ zhurnal russkikh futuristov, which includes variants of three poems from the present work (Sketing rin[g], Tango s korovami, Vyzov). The second notice is for Kamenskiĭ's novel Zemli︠a︡nka (St. Petersburg, 1910). At the foot of the leaf is the name of the Moscow printer of the present work, N.M. I︠A︡kovlev.
500 $aColor facsimile that was exhibited by the Casey Kaplan Gallery, New York in July 2009 as part of a show entitled "The fantastic tavern--the Tbilisi avant-garde". The exhibition was later moved to the Harriman Institute, Columbia University, in April-May 2010, where it was called "Georgian Modernism-Tbilisi avant-garde". The exhibiion was curated by Daniel Baumann and AIRL (Arts Interdisciplinary Research Laboratory, Georgia). It was coordinated by Mika Chikhradze, Fulbright visiting scholar, Columbia University.
500 $aFrom an ed. of 300; see Compton, citing Knizhnai︠a︡ letopisʹ for 27 March-3 April 1914, no. 8856.
510 4 $aCompton, S. World backwards,$cp. 126
510 4 $aJanecek, G. The look of Russian literature,$cp. 123 ff
510 4 $aRozanov, I.N. Biblioteka russkoĭ poėzii,$c2921
533 $aFacsimile.$b[New York? :$cCasey Kaplan Gallery?,$d2009?].$e18 sheets ; 25 x 24-40 cm.
650 0 $aFuturism (Literary movement)$zRussia.
650 0 $aFuturism (Art)$zRussia.
650 0 $aAvant-garde (Aesthetics)$zGeorgia (Republic)$zTʻbilisi.
700 1 $aBurli︠u︡k, Vladimir Davidovich,$d1886-1917.$0http://id.loc.gov/authorities/names/no2015100580
700 1 $aBurli︠u︡k, David,$d1882-1967.$0http://id.loc.gov/authorities/names/n84147694
700 1 $aBaumann, Daniel,$d1967-$0http://id.loc.gov/authorities/names/nr99003185
710 2 $aHarriman Institute.$0http://id.loc.gov/authorities/names/n2007053649
710 2 $aCasey Kaplan (Gallery : New York, N.Y.)$0http://id.loc.gov/authorities/names/no2010163985
852 00 $bgax$hPG3476.K33$iT36 1914g