| Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:1621507:2810 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-016.mrc:1621507:2810?format=raw |
LEADER: 02810cam a22003974a 4500
001 7515998
005 20221201004803.0
008 080917t20082008cauab b 001 0 eng
010 $a 2008040899
020 $a9781598743135 (hardback : alk. paper)
020 $a1598743139 (hardback : alk. paper)
020 $a9781598743142 (pbk. : alk. paper)
020 $a1598743147 (pbk. : alk. paper)
024 $a99935578707
035 $a(OCoLC)ocn227015854
035 $a(OCoLC)227015854
035 $a(NNC)7515998
035 $a7515998
040 $aDLC$cDLC$dBTCTA$dYDXCP$dBAKER$dC#P$dOrLoB-B
050 00 $aGN790$b.T54 2008
082 00 $a930.1/4$222
100 1 $aTilley, Christopher Y.$0http://id.loc.gov/authorities/names/n83162570
245 10 $aBody and image :$bexplorations in landscape phenomenology 2 /$cChristopher Tilley ; with assistance of Wayne Bennett.
260 $aWalnut Creek, Calif. :$bLeft Coast Press,$c[2008], ©2008.
300 $a288 pages :$billustrations, maps ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 273-282) and index.
505 00 $gCh. 1.$tBody And Image -- $gCh. 2.$tVingen -- $gCh. 3.$tIreland -- $gCh. 4.$tNorrkoping -- $gCh. 5.$tConclusions.
520 1 $a"The understanding and interpretation of ancient architecture, landscapes, and art has always been viewed through an iconographic lens - a cognitive process based on traditional practices in art history. But ancient people did not ascribe their visions on canvas, rather on hills, stones, and fields. Thus, Chris Tilley argues, the iconographic approach falls short of understanding how ancient people interacted with their imagery." "A kinaesthetic approach, one that uses the full body and all the senses, can better approximate the meaning that these artifacts had for their makers and today's viewers. The body intersects the landscape in a myriad of ways - through the effort to reach the image, the angles that one can use to view, the multiple senses required for interaction. Tilley outlines the choreographic basis of understanding ancient landscapes and art phenomenologically, and demonstrates the power of his thesis through examples of rock art and megalithic architecture in Norway, Ireland, and Sweden."--BOOK JACKET.
650 0 $aMegalithic monuments.$0http://id.loc.gov/authorities/subjects/sh85083278
650 0 $aArchitecture, Prehistoric.$0http://id.loc.gov/authorities/subjects/sh87006779
650 0 $aPetroglyphs.$0http://id.loc.gov/authorities/subjects/sh85100357
650 0 $aLand settlement patterns, Prehistoric.$0http://id.loc.gov/authorities/subjects/sh85074309
700 1 $aBennett, Wayne,$d1954-$0http://id.loc.gov/authorities/names/n2004095935
852 80 $boff,ave$hAA205$iT463