MARC Record from marc_columbia

LEADER: 05339cam a2200421 a 4500
001 7909579
005 20221201043957.0
008 091027t20102010ncua b s001 0 eng
010 $a 2009042758
020 $a9780807834138 (cloth : alk. paper)
020 $a0807834130 (cloth : alk. paper)
024 $a40018164210
035 $a(OCoLC)ocn441211276
035 $a(OCoLC)441211276
035 $a(NNC)7909579
035 $a7909579
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dERASA$dOrLoB-B
043 $an-us---
050 00 $aNK807$b.K67 2010
082 00 $a745.0973$222
100 1 $aKoplos, Janet.$0http://id.loc.gov/authorities/names/n90724074
245 10 $aMakers :$ba history of American studio craft /$cJanet Koplos and Bruce Metcalf.
246 30 $aHistory of American studio craft
260 $aChapel Hill :$bUniversity of North Carolina Press,$c[2010], ©2010.
300 $axi, 529 pages :$billustrations (chiefly color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"A project of the Center for Craft, Creativity and Design, Hendersonville, N.C.."
504 $aIncludes bibliographical references and index.
505 00 $g1.$tThe Roots Of Studio Craft -- $tThe Industrial Revolution -- $tCraft and Work -- $tThe Origin of Arts and Crafts -- $tThe Aesthetic Movement -- $tEnglish Arts and Crafts -- $tWorld's Fairs -- $tThe Cincinnati Wood-Carving Movement -- $tArt in Textiles -- $tChina Painting and Art Pottery -- $tLouise McLaughlin, Studio Potter -- $tStained Glass and Art Glass -- $tIn Short -- $g2.$t1900-1909: Handwork And Industrialization -- $tSetting the Scene -- $tReform and the Crafts -- $tElbert Hubbard and the Roycrofters -- $tGustav Stickley -- $tWood: Reform and Commerce Together -- $tPottery for All Purposes -- $tStudio Potters -- $tJewelry: Beginnings -- $tMetalsmithing -- $tTextiles: Revivals, Inventions, and Borrowings -- $tObjectifying Glass -- $tArts and Crafts Societies -- $tArts and Crafts Communities -- $tCraft Education -- $tIn Short -- $g3.$t1910-1919: Upheavals -- $tSetbacks -- $tRevivals -- $tThe Armory Show -- $tCeramics Interrupted -- $tWood: The End of the Craftsman Style -- $tJewelry and Metals: Regional Differences -- $tTextiles -- $tCraft Institutions -- $tOccupational Therapy -- $tIn Short -- $g4.$t1920-1929: Boom Time In A Consumerist Society -- $tNew Styles and Habits -- $tCraft Institutions -- $tSouthwest Indian Arts -- $tWood: Reactionaries and Progressives -- $tJewelry and Metals: Traditionalists and Modernists -- $tTextiles in Transition -- $tCeramics: Tiles and Figurines -- $tCrafts in the Southern Highlands -- $tIn Short -- $g5.$t1930-1939: Industrial Design Versus Handcraft -- $tChanges in Life and Craft -- $tCraft Institutions -- $tEducation -- $tMOMA and Craft -- $tCeramics in School -- $tModern Textiles -- $tWood: The Modern Moment -- $tMetals: Silver Tarnishes -- $tGlass Goes Several Ways -- $tIn Short -- $g6.$t1940-1949: New Opportunities -- $tLosing and Gaining -- $tEducation -- $tCraft Institutions -- $tJewelry and Enameling: Artists Rewrite the Script -- $tWood: The Era of the Designer-Craftsman -- $tCeramics Flourishes -- $tGlass -- $tTextile Arguments -- $tIn Short -- $g7.$t1950-1959: The Second Revival Of Crafts -- $tParadigm Shifts -- $tCraft Embraces Academia -- $tMOMA and Good Design -- $tCeramics: Import-Export -- $tTextiles: Ready for Change -- $tJewelry, Metals, and Enameling: Toward an American Voice -- $tWood: Influences and Inventions -- $tA Little Glass -- $tIn Short -- $g8.$t1960-1969: Youth Culture, Counterculture, Multiculture -- $tRinging Changes -- $tTextiles Go Large -- $tJewelry and Metals: Looking Elsewhere -- $tA New World of Glass -- $tWood: Furniture as Design, Expression, and Concept -- $tCeramics: Sorting Out Options -- $tCraft Institutions -- $tIn Short -- $g9.$t1970-1979: Organizations And Professionals -- $tAn Explosion of Crafts -- $tCeramics Down and Up -- $tJewelry, Metals, and Enameling: Pluralism Takes Over -- $tTextiles in Depth -- $tGlass Goes Mainstream -- $tWood: Actions and Reactions -- $tCraft Institutions -- $tIn Short -- $g10.$t1980-1989: Money And Images -- $tBusiness and Baroque -- $tWood: Classicism and Postmodern Play -- $tClay Variations -- $tGlass -- $tTextiles and the New Basketry -- $tJewelry, Metals, and Enameling: Declarations of Independence -- $tCraft Institutions -- $tIn Short -- $g11.$t1990-1999: Mastery As Meaning -- $tGot It Made -- $tCraft Institutions -- $tGlass Ascendant -- $tJewelry, Metals, and Enameling: A Spectrum of Possibilities -- $tTextiles to Fiber -- $tWood: All Options Open -- $tCeramics: Individuals and Themes -- $tIn Short.
650 0 $aDecorative arts$zUnited States$xHistory$y19th century.
650 0 $aDecorative arts$zUnited States$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2009123055
650 0 $aArt, American$y19th century.$0http://id.loc.gov/authorities/subjects/sh2007101374
650 0 $aArt, American$y20th century.$0http://id.loc.gov/authorities/subjects/sh85007815
700 1 $aMetcalf, Bruce,$d1949-$0http://id.loc.gov/authorities/names/n86134338
710 2 $aCenter for Craft, Creativity & Design.$0http://id.loc.gov/authorities/names/no2003050523
852 00 $boff,ave$hNK807$i.K67 2010
852 00 $bbar,stor$hNK807$i.K67 2010