| Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:143719578:3418 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-016.mrc:143719578:3418?format=raw |
LEADER: 03418cam a22004694a 4500
001 7888859
005 20221201042515.0
008 081220t20052005pauc b 001 0deng
010 $a 2004061167
019 $a60606684
020 $a0812238613 (alk. paper)
020 $a9780812238617 (alk. paper)
024 $a99938457523
035 $a(OCoLC)57010420$z(OCoLC)60606684
035 $a(OCoLC)ocm57010420\
035 $a(NNC)7888859
035 $a7888859
040 $aDLC$cDLC$dYDX$dUKM$dYYP$dBAKER$dNLGGC$dBTCTA$dYDXCP$dOrLoB-B
041 1 $aeng$hdut
042 $apcc
043 $aa-is---$ae-ne---
050 00 $aDD247.E5$bM813 2005
082 00 $a364.15/1/092$aB$222
100 1 $aMulisch, Harry,$d1927-2010.$0http://id.loc.gov/authorities/names/n79109076
240 10 $aZaak 40/61.$lEnglish$0http://id.loc.gov/authorities/names/n2004045029
245 10 $aCriminal case 40/61, the trial of Adolf Eichmann :$ban eyewitness account /$cHarry Mulisch ; translated by Robert Naborn ; foreword by Debórah Dwork.
260 $aPhiladelphia :$bUniversity of Pennsylvania Press,$c[2005], ©2005.
300 $axxiv, 178 pages :$bportraits ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aPersonal takes
504 $aIncludes bibliographical references (p. xxiii-xxiv) and index.
505 00 $tForeword /$rDeborah Dwork -- $g1.$tIntroduction -- $g2.$tThe verdict and the execution -- $g3.$tThe two faces of Eichmann -- $g4.$tBiography of a German -- $g5.$tJerusalem diary I -- $g6.$tA ruin in Berlin -- $g7.$tThe horror and its depiction -- $g8.$tThe horror and its origin -- $g9.$tThe order as fate -- $g10.$tThe ideal of psycho-technology -- $g11.$tJerusalem diary II -- $g12.$tOn feelings of guilt, guilt, and reality -- $g13.$tOn common sense, Christians, and Thomas Mann -- $g14.$tA consideration in Warsaw -- $g15.$tA museum in Oswiecim.
520 1 $a"Under a deceptively simple lable, "criminal case 40/61," the trial of Adolf Eichmann began in 1961. Mulisch modestly called his book on case 40/61 a report, and it is certainly that, as he gives firsthand accounts of the trial and its key players and scenes (the defendant's face strangely asymmetric and riddled by tics, his speech absurdly baroque). Eichmann's character comes out in his incessant bureaucratizing and calculating, as well as in his grandiose visions of himself as a Pontius Pilate-like innocent. As Mulisch intersperses his dispatches from Jerusalem with meditative accounts of a divided and ruined Berlin, an eerily rebuilt Warsaw, and a visit to the gas chambers of Auschwitz, Criminal Case 40/61, the Trial of Adolf Eichmann emerges as a disturbing and highly personal essay on the Nazi extermination of European Jews and on the human capacity to commit evil ever more efficiently in an age of technological advancement."--BOOK JACKET.
546 $aTranslated from the Dutch.
600 10 $aEichmann, Adolf,$d1906-1962.$0http://id.loc.gov/authorities/names/n50036722
650 0 $aTrials (Genocide)$zJerusalem.
650 0 $aWar crime trials$xPress coverage$zNetherlands.
650 0 $aHolocaust, Jewish (1939-1945)$0http://id.loc.gov/authorities/subjects/sh85061515
830 0 $aPersonal takes.$0http://id.loc.gov/authorities/names/n99038986
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/fy055/2004061167.html
852 00 $bglx$hDD247.E5$iM813 2005