| Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:104094424:2028 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-016.mrc:104094424:2028?format=raw |
LEADER: 02028cam a2200361 a 4500
001 7785055
005 20221201031707.0
008 090506t20102010maua b 001 0 eng
010 $a 2009018942
020 $a9780262013888 (hardcover : alk. paper)
020 $a0262013886 (hardcover : alk. paper)
024 $a99937688619
035 $a(OCoLC)ocn320895405
035 $a(OCoLC)320895405
035 $a(NNC)7785055
035 $a7785055
040 $aDLC$cDLC$dYDX$dERASA$dUKM$dYDXCP$dBWX$dCDX$dTTS$dOrLoB-B
050 00 $aNX456.5.N49$bG73 2010
082 00 $a709.04/07075$222
100 1 $aGraham, Beryl.$0http://id.loc.gov/authorities/names/nb98022272
245 10 $aRethinking curating :$bart after new media /$cBeryl Graham and Sarah Cook ; foreword by Steve Dietz.
260 $aCambridge, Mass. :$bMIT Press,$c[2010], ©2010.
300 $axv, 354 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aLeonardo
504 $aIncludes bibliographical references and index.
505 00 $tForeword /$rSteve Dietz -- $g1.$tIntroduction -- $gI.$tArt After New Media-Histories, Theories, and Behaviors -- $g2.$tThe Art Formerly Known as "New Media" -- $g3.$tSpace and Materiality -- $g4.$tTime -- $g5.$tParticipative Systems -- $gII.$tRethinking Curating-Contexts, Practices, and Processes -- $g6.$tIntroduction to Rethinking Curating -- $g7.$tOn Interpretation, on Display, on Audience -- $g8.$tCurating in an Art Museum -- $g9.$tOther Modes of Curating -- $g10.$tCollaboration in Curating -- $gIII.$tConclusions -- $g11.$tConclusions: Histories, Vocabularies, Modes.
650 0 $aNew media art.$0http://id.loc.gov/authorities/subjects/sh2009005030
650 0 $aMuseums$xCuratorship.$0http://id.loc.gov/authorities/subjects/sh2003008423
700 1 $aCook, Sarah,$d1974-$0http://id.loc.gov/authorities/names/nb2002045058
830 0 $aLeonardo (Series) (Cambridge, Mass.)$0http://id.loc.gov/authorities/names/n99013621
852 80 $bfax$hN72 T4$iG76