| Record ID | marc_columbia/Columbia-extract-20221130-015.mrc:99677082:3611 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-015.mrc:99677082:3611?format=raw |
LEADER: 03611cam a22003614a 4500
001 7237110
005 20221130222646.0
008 090318t20092009caua b 001 0 eng
010 $a 2009011639
020 $a9780313366352 (hard copy : alk. paper)
020 $a0313366357 (hard copy : alk. paper)
020 $a9780313366369 (ebook)
020 $a0313366365 (ebook)
024 $a40016888026
035 $a(OCoLC)ocn290431547
035 $a(OCoLC)290431547
035 $a(NNC)7237110
035 $a7237110
040 $aDLC$cDLC$dBTCTA$dYDXCP$dC#P$dOrLoB-B
050 00 $aN8795$b.A78 2009
082 00 $a364.16/287$222
245 00 $aArt and crime :$bexploring the dark side of the art world /$cedited by Noah Charney ; afterword by John Stubbs.
260 $aSanta Barbara, Calif. :$bPraeger/ABC-CLIO,$c[2009], ©2009.
300 $axxv, 261 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [239]-245) and index.
505 00 $tIntroduction /$rNoah Charney --$tArt Crime in Context /$rNoah Charney --$gPt. I.$tArchaeology and Antiquities --$gCh. 1.$tThe Fundamental Importance of Archaeological Context /$rDerek Fincham --$gCh. 2.$tHomecomings: Learning from the Return of Antiquities to Italy /$rDavid W. J. Gill --$gCh. 3.$tLack of Due Diligence and Unregulated Markets: Trade in Illicit Antiquities and Fakes in Hong Kong /$rToby Bull --$gPt. II.$tThieves and Forgers --$gCh. 4.$tWho Is Stealing All Those Paintings? /$rA. J. G. Tijhuis --$gCh. 5.$tThe Affair of the Statuettes Reexamined: Picasso and Apollinaire's Role in the Famed Louvre Theft /$rSilvia Loreti --$gCh. 6.$tArt, Terrorism, and Organized Crime /$rBojan Dobovsek --$gCh. 7.$tFakes and Deception: Examining Fraud in the Art Market /$rKenneth Polk and Duncan Chappell --$gPt. III.$tCrime and the Art Trade --$gCh. 8.$tImplication of Art Theft in the Fine Art Insurance Industry /$rDorit Straus --$gCh. 9.$tFour Art Crimes and Their Effect on the Art Trade /$rNoah Charney --$gCh. 10.$tTrepidations of a Private Art Collector /$rJudah Best --$gCh. 11.$tDefending Art /$rColonel Giovanni Pastore --$gPt. IV.$tSecurity and Museums --$gCh. 12.$tQ&A with Two Innovative Security Directors /$rDennis Ahern and Anthony Amore --$gCh. 13.$tExercises in Futility: The Pursuit of Protecting Art /$rStevan P. Layne --$gCh. 14.$tSecurity for Temporary Exhibitions: Regular, Customized, or Bespoke /$rDick Drent --$gPt. V.$tLibraries and Archives --$gCh. 15.$tThe Quiet Crime: An Introduction to the World of Rare Book, Map, and Document Theft /$rTravis McDade --$gCh. 16.$tUnexpected and Accessible: Threats to University Collections /$rJohn Kleberg --$gCh. 17.$tBringing It All Back Home: Recovery of Stolen Special Collections Materials /$rRichard W. Oram and Ann Hartley --$gPt. VI.$tLaw and War --$t185 --$gCh. 18.$tArt Theft: Heralds of Change in the International Legal Landscape /$rJudge Arthur Tompkins --$gCh. 19.$tEconomic Woe, Art Theft, and Money Laundering: A Perfect Recipe /$rDafydd Nelson --$gCh. 20.$tThe Artifacts of Wartime Art Crime: Evidence for a Model of the Evolving Clout of Cultural Property in Foreign Affairs /$rErik Nemeth --$tAfterword: Why Masterpieces Matter: Some Dogmatic Reflections /$rJohn Stubbs.
650 0 $aArt thefts.$0http://id.loc.gov/authorities/subjects/sh85008086
650 0 $aArt$xForgeries.$0http://id.loc.gov/authorities/subjects/sh85007484
700 1 $aCharney, Noah.$0http://id.loc.gov/authorities/names/n2007016926
852 80 $bfax$hN8385$iAr74
852 00 $bbar$hN8795$i.A78 2009