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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-015.mrc:94623820:2740
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-015.mrc:94623820:2740?format=raw

LEADER: 02740cam a2200301Ia 4500
001 7233490
005 20221130221923.0
008 090420t20092009miu 000 p eng d
020 $a9781934851043
020 $a1934851043
029 1 $aCDX$b10032085
035 $a(OCoLC)ocn318879450
035 $a(OCoLC)318879450
035 $a(NNC)7233490
035 $a7233490
040 $aBTCTA$cBTCTA$dYDXCP$dCDX$dCUS$dOrLoB-B
041 1 $aeng$hspa
050 4 $aPQ8098.36.U75$bI5613 2009
100 1 $aZurita, Raúl.$0http://id.loc.gov/authorities/names/n82201009
245 10 $aINRI /$cRaúl Zurita ; translated by William Rowe.
260 $aGrosse Pointe Farms, Mich. :$bMarick Press,$c[2009], ©2009.
300 $a134 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
520 1 $a""INRI" responds to the need to find a language for an event that was kept hidden and excluded from official records in Chile: the fact that the bodies of the disappeared were thrown out of helicopters into the mouths of volcanoes and into the sea. In order to bring this event, which was neither seen nor heard, into language, Zurita invents a form and language capable of bringing it into the present. The one place where these unspeakable acts might be registered is in the landscape of Chile: the mountains, desert, and sea. There the event might begin to be touched, heard, and finally seen. When there are no places from which to speak, 'the stones cry out'. "INRI" is written as poetry without regular lines or metre. In the tradition of Whitman or Ginsberg's Howl, it works with long breaths and large blocks of meaning: intensities that overrun the usual measures of speech and syntax. To read it is to experience a strange force pulsing through the language, breaking apart its usual channels, and opening unseen and unheard zones." "Zurita, winner of the Chilean National Poetry Prize, is one of the best known poets of Latin America. His work is part of a revolution in poetic language that began in the 1970s and sought to find new forms of expression, radically different from those of Pablo Neruda. The challenge was to confront the contemporary epoch, with its particular forms of violence, including violence done to language. "INRI" is distinctive in that it does not speak out of individual sorrow, though this is not missing from the text, but seeks, rather, a new space, out of which love might be asserted as prime human reality, a space which might give birth to a different type of society."--BOOK JACKET.
650 0 $aElegiac poetry, Chilean$vTranslations into English.
700 1 $aRowe, William.$0http://id.loc.gov/authorities/names/n85349073
852 00 $boff,glx$hPQ8098.36.U75$iI5613 2009g