MARC Record from marc_columbia

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008 081106s2010 nyuag 001 0 eng
010 $a 2008048611
024 $a99987174575
035 $a(OCoLC)ocn270232039
040 $aDLC$beng$erda$cDLC$dC#P$dYDXCP$dUKM$dBTCTA$dCDX$dAUW$dGEBAY$dMIX$dWCH$dOCLCF$dOCLCQ$dS3O$dPHUST$dGZM$dIVU$dMUB$dCN3HA$dCCHGZ$dPAU$dIIB$dOCLCQ$dNLE$dZJS$dIQU$dOCLCO$dQGJ$dIL4J6$dXIM$dSNN$dBGU$dUKMGB$dAZU$dUMK$dOCLCO
020 $a9780195376982
020 $a0195376986
020 $a0195376994$q(pbk.)
020 $a9780195376999$q(pbk.)
050 00 $aMT6.L136$bG73 2010
082 00 $a781.2$222
100 1 $aLaitz, Steven G.$q(Steven Geoffrey)
245 10 $aGraduate review of tonal theory :$ba recasting of common-practice harmony, form, and counterpoint /$cSteven G. Laitz, Christopher Bartlette.
250 $aFirst edition.
264 1 $aNew York :$bOxford University Press,$c2010.
300 $axiv, 270 pages :$billustrations, music ;$c26 cm +$e1 computer disc (DVD : sound, color ; 4 3/4 in.)
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
500 $aListing of DVD text and workbook examples provided in Appendix D.
505 00 $gPart 1.$tContextualizing theory and analysis: fundamentals.$gCh. 1.$tMusical time and space ;$gCh. 2.$tHarnessing musical time and space ;$gCh. 3.$tMaking choices: when harmony, melody, and rhythm merge --$gpt. 2.$tDiatonic harmony: functions, expansions, and the phrase model.$gCh. 4.$tComposition and analysis: using I, V, and V7 ;$gCh. 5.$tContrapuntal expansions of tonic and dominant ;$gCh. 6.$tThe pre-dominant, phrase model, and additional embellishments --$gpt. 3.$tElaborating the phrase model and combining phrases.$gCh. 7.$tSix-four chords, non-dominant seventh chords, and refining the phrase model ;$gCh. 8.$tThe submediant and mediant harmonies ;$gCh. 9.$tThe period, double period, and sentence ;$gCh. 10.$tHarmonic sequences: concepts and patterns --$gpt. 4.$tChromaticism and larger forms ;$gCh. 11.$tApplied chords and tonicization ;$gCh. 12.$tModulation and binary form ;$gCh. 13.$tExpressive chromaticism: modal mixture and chromatic modulation ;$gCh. 14.$tTwo important chromatic harmonies: the neapolitan chord and the augmented sixth chord ;$gCh. 15.$tTernary and sonata forms --$gAppendix.$tAdditional formal procedures ;$tSubphrases and composite phrases ;$tVariation techniques ;$tTernary form and the nineteenth-century character piece ;$tRondo ;$tFurther characteristics of sonata form.
520 $aAccompanying DVD-ROM contains ... "recordings by Eastman students and faculty of musical examples from the text and analytical exercises from the workbook."--Page 4 of cover.
511 0 $aExamples and exercises from the text and workbook performed by musicians from the Eastman School of Music.
650 0 $aMusic theory.
650 0 $aHarmony.
650 0 $aCounterpoint.
650 0 $aMusical form.
650 7 $aCounterpoint.$2fast$0(OCoLC)fst00881333
650 7 $aHarmony.$2fast$0(OCoLC)fst00951531
650 7 $aMusic theory.$2fast$0(OCoLC)fst01030620
650 7 $aMusical form.$2fast$0(OCoLC)fst01030718
650 7 $aHarmonielehre$2gnd
650 7 $aKontrapunkt$2gnd
650 7 $aMusic theory.$2nli
650 7 $aHarmony.$2nli
650 7 $aCounterpoint.$2nli
650 7 $aMusical form.$2nli
650 7 $aMusikteori.$2sao
650 7 $aKontrapunkt.$2sao
650 7 $aMusikalisk formlära.$2sao
700 1 $aBartlette, Christopher A.
852 00 $bmus$hMT6.L136$iG73 2010$zAccompanied by 1 DVD. Ask at Music circulation desk for accompanying DVD.
852 0 $bmus,resp$hMT6.L136$iG73 2010