MARC Record from marc_columbia

LEADER: 02001cam a2200397 a 4500
001 7144640
005 20221130211559.0
008 081121s2008 miua b s001 0 eng
010 $a 2008050027
020 $a9781929280513 (cloth : alk. paper)
020 $a1929280513 (cloth : alk. paper)
020 $a9781929280520 (pbk. : alk. paper)
020 $a1929280521 (pbk. : alk. paper)
035 $a(OCoLC)ocn276406188
035 $a(NNC)7144640
035 $a(OCoLC)276406188
035 $a7144640
040 $aDLC$cDLC$dYDXCP$dBTCTA$dCDX$dC#P$dVVC
043 $aa-ja---
050 00 $aPN1997.K895$bG47 2008
082 00 $a791.43/72$222
100 1 $aGerow, Aaron Andrew.$0http://id.loc.gov/authorities/names/no00034542
245 12 $aA page of madness :$bcinema and modernity in 1920s Japan /$cAaron Gerow.
260 $aAnn Arbor :$bCenter for Japanese Studies, the University of Michigan,$c2008.
300 $ax, 130 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aMichigan monograph series in Japanese studies ;$vno. 64
505 0 $aWhat is the is film? -- Taishō and its cinema -- The avant-garde and the Shinkankaku school -- From Onnagata to film artist -- A less than independent production -- The screenplay -- The filming -- Editing and the print -- The exhibition of artistry -- Understanding and the problem of reception -- Divided styles -- Narrating divisions -- The logic of separation and the masking of cinema.
504 $aIncludes bibliographical references (p. 117-122) and index.
630 00 $aKurutta ichipeiji (Motion picture)$0http://id.loc.gov/authorities/names/n2008078985
650 0 $aMotion pictures$zJapan$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2010102517
830 0 $aMichigan monograph series in Japanese studies ;$vno. 64.
852 00 $beal$hPN1997.K895$iG47 2008
852 00 $beal$hPN1997.K895$iG47 2008
852 00 $boff,eal$hPN1997.K895$iG47 2008