| Record ID | marc_columbia/Columbia-extract-20221130-015.mrc:42956866:2317 |
| Source | marc_columbia |
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019 $a149393825
020 $a9780691124803 (harcover : alk. paper)
020 $a0691124809 (harcover : alk. paper)
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050 00 $aNX705.5.U6$bG37 2008
082 00 $a707/.973$222
100 1 $aGarber, Marjorie B.$0http://id.loc.gov/authorities/names/n81133464
245 10 $aPatronizing the arts /$cMarjorie Garber.
260 $aPrinceton :$bPrinceton University Press,$c[2008], ©2008.
300 $axv, 234 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [197]-219) and index.
505 00 $g1.$tThe Paradox of Patronage -- $g2.$tGoverning Assumptions -- $g3.$tMinding the Business of Art -- $g4.$tArts Or Sciences -- $g5.$tThe University as Patron.
520 1 $a"What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized" - both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts."--BOOK JACKET.
650 0 $aArt patronage$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2007101390
650 0 $aArts$xEconomic aspects$zUnited States.
852 00 $bbar$hNX705.5.U6$iG37 2008