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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-015.mrc:41996401:3531
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-015.mrc:41996401:3531?format=raw

LEADER: 03531cam a22003734a 4500
001 7140706
005 20221130211026.0
008 080715t20092009mau b 001 0 eng
010 $a 2008031040
020 $a9780262134903 (hard cover : alk. paper)
020 $a026213490X (hard cover : alk. paper)
024 $a40016513382
035 $a(OCoLC)ocn236117277
035 $a(OCoLC)236117277
035 $a(NNC)7140706
035 $a7140706
040 $aDLC$cDLC$dBTCTA$dYDXCP$dUKM$dC#P$dOrLoB-B
050 00 $aB105.M65$bM36 2009
082 00 $a128/.6$222
100 1 $aManning, Erin.$0http://id.loc.gov/authorities/names/n2002039247
245 10 $aRelationscapes :$bmovement, art, philosophy /$cErin Manning.
260 $aCambridge, Mass. :$bMIT Press,$c[2009], ©2009.
300 $ax, 268 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aTechnologies of lived abstraction
504 $aIncludes bibliographical references (p. [247]-255) and index.
505 00 $tPrelude: What Moves as a Body Returns as a Movement of Thought --$gIntroduction.$tEvents of Relation - Concepts in the Making --$g1.$tIncipient Action: The Dance of the Not-Yet --$g2.$tThe Elasticity of the Almost --$tInterlude: A Mover's Guide to Standing Still --$g3.$tTaking the Next Step --$g4.$tDancing the Technogenetic Body --$tInterlude: Perceptions in Folding --$g5.$tGrace Taking Form: Marey's Movement Machines --$tInterlude: Animation's Dance --$g6.$tFrom Biopolitics to the Biogram, or How Leni Riefenstahl Moves through Fascism --$tInterlude: Of Force Fields and Rhythm Contours - David Spriggs's Animate Sculptures --$g7.$tRelationscapes: How Contemporary Aboriginal Art Moves beyond the Map --$g8.$tConstituting Facts: Dorothy Napangardi Dances the Dreaming --$tInterlude: Cornering a Beginning --$tConclusion: Propositions for Thought in Motion.
520 1 $a"With Relationscapes, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity - the incipiency at the heart of movement - Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take form." "Relationscapes is a radically empirical book, working directly out of examples and delving into the complexity of relations these examples suggest. It takes a "Whiteheadian perspective," recognizing Whitehead's importance and his influence on process philosophers of the late twentieth century - Deleuze and Guattari in particular. Relationscapes is truly a transdisciplinary book, not aiming to cover the ground of a particular discipline but making clear how the specificity of a particular inquiry can alter key questions that emerge in the interstices between disciplines. It will be of special interest to scholars in new media, philosophy, dance studies, film theory, and art history."--BOOK JACKET.
650 0 $aMovement (Philosophy)$0http://id.loc.gov/authorities/subjects/sh85088016
650 0 $aTechnology.$0http://id.loc.gov/authorities/subjects/sh85133147
830 0 $aTechnologies of lived abstraction.$0http://id.loc.gov/authorities/names/no2009033552
852 00 $bglx$hB105.M65$iM36 2009
852 00 $bbar,stor$hB105.M65$iM36 2009