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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-015.mrc:109847037:3266
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-015.mrc:109847037:3266?format=raw

LEADER: 03266cam a2200349 a 4500
001 7269268
005 20221130224632.0
008 090310s2008 sa ac c 000 0 eng d
020 $a9781874817390
020 $a1874817391
024 $a99934337873
035 $a(OCoLC)313617943
035 $a(NhCcYBP)om2418165
035 $a(NNC)7269268
035 $a7269268
040 $aOI@$cOI@$dYDXCP
043 $af-sa---
082 04 $a708.968735$222
245 00 $aScratches on the face :$bantiquity and contemporaneity in South African works of art from Iziko Museums of Cape Town /$c[curated by Hayden Proud].
260 $a[South Africa] :$bIziko Museums of Cape Town :$bUNISA Press,$c[2008?]
300 $a64 pages :$billustrations (chiefly color), portraits ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aThis book was published in conjunction with the exhibition "Scratches on the face: antiquity and contemporaneity in South African art", curated by Hayden Proud, Curator of Historical Paintings and Sculpture, Iziko Museums of Cape Town.
500 $aThis exhibition is the result of a cultural exchange agreement between the Governments of the Republic of India and the Republic of South Africa. The Indian tour was organised by Professor Rajeev Lochan of the National Gallery of Modern Art, New Delhi, the Ministry of Culture of the Republic of India and the High Commission of South Africa in India. The exhibition will be mounted at the following venues: National Gallery of Modern Art, New Delhi, 8 December 2007-3 January 2008 ; National Gallery of Modern Art, Mumbai, 10 January-3 February 2008 ; Iziko South African National Gallery, Cape Town, 15 November 2008-31 July 2009.
520 $aThe marking of this book is so much a part of the human project in southern Africa. In pre-colonial times, it took the form of ancient rock engravings; at another it articulated boundaries where people could or could not live because of their skin colour. It resulted in the deepest and most invasive scars in the earth ever made in the rapacious extraction of mineral wealth. In a metaphorical sense, too, it has resulted in the marking and scarring of the psyche of its inhabitants. While in certain respects these aspects may be common to the faces of all countries, in South Africa they assume a powerful role in shaping human lives and culture. The earliest creative scratchings made by the human hand, it is now believed, were made in South Africa about 70,000 years ago. These startling archaeological discoveries were made from 1993 onwards in the Blombos cave in limestone cliffs overlooking the Indian Ocean on the Southern Cape coast. They are now rewriting the history of human development in terms of intelligent mark-making and symbolic behaviour which predate discoveries made elsewhere in the world by over 40 000 years.
650 0 $aArt, South African$vExhibitions.
651 0 $aSouth Africa$xSocial life and customs$vPictorial works.
610 20 $aIziko Museums of Cape Town$vExhibitions.
700 1 $aProud, Hayden.$0http://id.loc.gov/authorities/names/nr95002635
710 2 $aSouth African National Gallery.$0http://id.loc.gov/authorities/names/n79042037
852 80 $bfax$hN7392$iScr17