Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:94358164:2831 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:94358164:2831?format=raw |
LEADER: 02831cam a22004334a 4500
001 6877124
005 20221122054958.0
008 071121t20082008ilu b s001 0 eng
010 $a 2007048113
020 $a9780252033407 (cloth : alk. paper)
020 $a025203340X (cloth : alk. paper)
020 $a9780252075483 (pbk. : alk. paper)
020 $a025207548X (pbk. : alk. paper)
024 $a40015772979
035 $a(OCoLC)177019488
035 $a(OCoLC)ocn177019488
035 $a(NNC)6877124
035 $a6877124
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dUKM$dC#P$dOrLoB-B
043 $an-us---
050 00 $aPN1995.9.N4$bD86 2008
082 00 $a791.43/652996073$222
100 1 $aDunn, Stephane,$d1967-$0http://id.loc.gov/authorities/names/n2007083688
245 10 $aBaad bitches and sassy supermamas :$bBlack power action films /$cStephane Dunn.
246 14 $a"Baad bitches" & sassy supermamas
260 $aUrbana :$bUniversity of Illinois Press,$c[2008], ©2008.
300 $axv, 166 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aThe new black studies series
504 $aIncludes bibliographical references (p. [149]-156) and index.
505 00 $gIntroduction.$tRace, Gender, and Black Action Fantasy -- $g1.$tThe Pleasure of Looking: Black Female Spectatorship and the Supermama Heroine -- $g2.$tBlack Power and the New Baad Cinema -- $g3.$tWhat's Sex and Women Got to Do with It? Sexual Politics and Revolution in Sweetback and The Spook -- $g4.$tRace, Gender, and Sexual Power in Cleopatra Jones -- $g5.$tSexing the Supermama: Racial and Gender Power in Coffy and Foxy Brown -- $tAfterword: Superbaad for the Twenty-First-Century Screen.
520 1 $a"This lively study unpacks the intersecting racial, sexual, and gender politics underlying the representations of racialized bodies, masculinities, and femininities in early 1970s black action films, with particular focus on the representation of black femininity. Stephane Dunn explores the typical, sexualized, subordinate positioning of women in low-budget blaxploitation action narratives as well as more seriously radical films like Sweet Sweetback's Baadasssss Song and The Spook Who Sat by the Door, in which black women are typically portrayed as trifling "bitches" compared to the supermacho black male heroes."--BOOK JACKET.
650 0 $aBlaxploitation films$zUnited States$xHistory and criticism.
650 0 $aAction and adventure films$zUnited States$xHistory and criticism.
650 0 $aAfrican American women heroes in motion pictures.$0http://id.loc.gov/authorities/subjects/sh2006004964
830 0 $aNew Black studies series.$0http://id.loc.gov/authorities/names/no2004109946
852 00 $bglx$hPN1995.9.N4$iD86 2008
852 00 $bbar$hPN1995.9.N4$iD86 2008