| Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:67405181:3579 |
| Source | marc_columbia |
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LEADER: 03579cam a22003734a 4500
001 6799791
005 20221122052424.0
008 071109t20082008iluag b s001 0 eng
010 $a 2007046831
019 $a177019868
020 $a9780252033445 (cloth : alk. paper)
020 $a0252033442 (cloth : alk. paper)
024 $a40015637379
035 $a(OCoLC)ocn181730546
035 $a(OCoLC)181730546$z(OCoLC)177019868
035 $a(NNC)6799791
035 $a6799791
040 $aDLC$cDLC$dYDXCP$dBAKER$dBTCTA$dOCLCG$dUKM$dC#P$dOrLoB-B
050 00 $aML410.B13$bA36 2008
082 00 $a780.92$222
245 00 $aAbout Bach /$cedited by Gregory G. Butler, George B. Stauffer, and Mary Dalton Greer.
260 $aUrbana :$bUniversity of Illinois Press,$c[2008], ©2008.
300 $axi, 216 pages :$billustrations, music ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tBefore Bach -- $tA Master Teacher Revealed: Johann Pachelbel's Deutliche Amoeisung /$rKathryn Welter -- $tFrom the House of Aaron to the House of Jjohann Sebastian: Old Testament Roots for the Bach Family Tree /$rMary Dalton Greer -- $tBach's Vocal Music -- $tCombinatorial Modeling in the Chorus Movement of Cantata 24, Ein ungefarbt Gemiae /$rAlexander J. Fisher -- $tChoral Unison in J. S. Bach's Vocal Music /$rDaniel R. Melamed -- $tYou Say Sabachthani and I Say Asabthani: A St. Matthew Passion Puzzle /$rMichael Ochs -- $tSein Segen fliesst daber wie ein Strom, BWV Anh. I 14: A Source for Parodied Arias in the B-Minor Mass? /$rWilliam H. Scheide -- $tBach Circle -- $tJohann Friedrich Schweinitz, "A Disciple of the Famous Herr Bach in Leipzig" /$rHans-Joachim Schulze -- $tJohann Christian Bach and the Church Symphony /$rJen-Yen Chen -- $tBach's Instrumental Music -- $tScribes, Engravers, and Notational Styles: The Final Disposition of Bach's Art of Fugue /$rGregory G. Butler -- $tNotes on J. S. Bach and Basso Continuo Realization /$rTon Koopman -- $tMusic for "Cavaliers et Dames": Bach and the Repertoire of His Collegium Musicum /$rGeorge B. Stauffer -- $tA Print of Clavierubung I from J.S. Bach's Personal Library /$rAndrew Talle -- $tAfter Bach -- $tCarl Reinecke's Performance of Mozart's Larghetto and the Nineteenth-Century Practice of Quantitative Accentuation /$rRobert Hill -- $t"Grand Miscellaneous Acts": Observations on Oratorio Performance in London after Haydn /$rMark Risinger -- $tBack from B-A-C-H: Schumann's Symphony No.2 in C Major /$rDouglass Seaton.
520 1 $a"In About Bach, fifteen scholars show that Bach's importance extends from choral to orchestral music, from sacred music to musical parodies, and also to his scribes and students, his predecessors and successors. Further, the contributors demonstrate a diversity of musicological approaches, ranging from close studies of Bach's choices of musical form and libretto to wider analyses of the historical and cultural backgrounds that impinged upon his creations and their lasting influence."--BOOK JACKET.
600 10 $aBach, Johann Sebastian,$d1685-1750$xCriticism and interpretation.
650 0 $aMusic$y18th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh89002975
700 1 $aButler, Gregory.$0http://id.loc.gov/authorities/names/n88193063
700 1 $aStauffer, George B.,$d1947-$0http://id.loc.gov/authorities/names/n80057988
700 1 $aGreer, Mary Dalton.$0http://id.loc.gov/authorities/names/n2007082991
852 00 $bmus$hML410.B13$iA36 2008