| Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:3426101:1938 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:3426101:1938?format=raw |
LEADER: 01938cam a2200409 a 4500
001 6538068
005 20221122040300.0
008 080401s2008 ncua b 001 0 eng
010 $a 2007043854
020 $a9780822340904 (cloth : alk. paper)
020 $a0822340909 (cloth : alk. paper)
020 $a9780822341086 (pbk. : alk. paper)
020 $a0822341085 (pbk. : alk. paper)
024 $a99819878768
035 $a(OCoLC)179103773
035 $a(OCoLC)ocn179103773
035 $a(NNC)6538068
035 $a6538068
040 $aDLC$cDLC$dBTCTA$dBAKER$dUKM$dC#P$dYDXCP$dOrLoB-B
043 $af-nr---
050 00 $aP96.T422$bN65 2008
082 00 $a302.2309669$222
100 1 $aLarkin, Brian.$0http://id.loc.gov/authorities/names/n2002090932
245 10 $aSignal and noise :$bmedia, infrastructure, and urban culture in Nigeria /$cBrian Larkin.
260 $aDurham :$bDuke University Press,$c2008.
300 $axi, 313 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [277]-299) and index.
505 00 $g1.$tInfrastructure, the Colonial Sublime, and Indirect Rule --$g2.$tUnstable Objects: The Making of Radio in Nigeria --$g3.$tMajigi, Colonial Film, State Publicity, and the Political Form of Cinema --$g4.$tColonialism and the Built Space of Cinema --$g5.$tImmaterial Urbanism and the Cinematic Event --$g6.$tExtravagant Aesthetics: Instability and the Excessive World of Nigerian Film --$g7.$tDegraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy.
650 0 $aMass media and technology$zNigeria$xHistory.
650 0 $aMass media and culture$zNigeria$xHistory.
651 0 $aNigeria$xCivilization$y20th century.
852 00 $bafst$hP96.T422$iN65 2008
852 00 $bglx$hP96.T422$iN65 2008
852 00 $bglx$hP96.T422$iN65 2008
852 00 $bbar$hP96.T422$iN65 2008