| Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:170892913:2026 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:170892913:2026?format=raw |
LEADER: 02026cam a2200373Ia 4500
001 6987301
005 20221130200839.0
008 080709t20092009au ag b 001 0 eng d
020 $a9783211755396
020 $a321175539X
035 $a(OCoLC)233933272
035 $a(OCoLC)ocn233933272
035 $a(NNC)6987301
035 $a6987301
040 $aBTCTA$cBTCTA$dBAKER$dYDXCP$dOHX$dNUI$dNNC
050 4 $aMT56$b.N54 2009
100 1 $aNierhaus, Gerhard.$0http://id.loc.gov/authorities/names/n2009024126
245 10 $aAlgorithmic composition :$bparadigms of automated music generation /$cGerhard Nierhaus.
260 $aWien ;$aNew York :$bSpringer,$c[2009], ©2009.
300 $ax, 287 pages :$billustrations, music ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 0 $aHistorical development of algorithmic procedures -- Markov models -- Generative grammars -- Transition networks -- Chaos and self-similarity -- Genetic algorithms -- Cellular automata -- Artificial neural networks -- Artificial intelligence -- Final synopsis.
504 $aIncludes bibliographical references and index.
650 0 $aComputer composition (Music)$0http://id.loc.gov/authorities/subjects/sh85029490
650 0 $aComposition (Music)$0http://id.loc.gov/authorities/subjects/sh85029403
650 0 $aMusic theory$xMathematics.$0http://id.loc.gov/authorities/subjects/sh2010102912
650 0 $aMusical analysis.$0http://id.loc.gov/authorities/subjects/sh85088952
650 0 $aPattern formation (Physical sciences)$0http://id.loc.gov/authorities/subjects/sh99003331
650 0 $aAlgorithms.$0http://id.loc.gov/authorities/subjects/sh85003487
650 0 $aSoft computing.$0http://id.loc.gov/authorities/subjects/sh96004789
650 0 $aMusic$y20th century$xPhilosophy and aesthetics.$0http://id.loc.gov/authorities/subjects/sh2010102765
650 0 $aMusic$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2001000180
852 00 $bmus$hMT56$i.N54 2009g