| Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:165777558:2678 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:165777558:2678?format=raw |
LEADER: 02678cam a22003974a 4500
001 6980871
005 20221130200212.0
008 071101s2008 ctua b 001 0 eng
010 $a 2007045578
020 $a9780300140934 (alk. paper)
020 $a0300140932 (alk. paper)
024 $a40016114635
035 $a(OCoLC)ocn180907948
035 $a(OCoLC)180907948
035 $a(NNC)6980871
035 $a6980871
040 $aDLC$cDLC$dBAKER$dBTCTA$dOCLCG$dYDXCP$dOCLCG$dBWKUK$dOrLoB-B
050 00 $aN6797.M5885$bA86 2008
082 00 $a709.2/242$aB$222
100 1 $aArscott, Caroline.$0http://id.loc.gov/authorities/names/nb99147352
245 10 $aWilliam Morris and Edward Burne-Jones :$binterlacings /$cby Caroline Arscott.
260 $aNew Haven [Conn.] ;$aLondon :$bYale University Press for the Paul Mellon Centre for Studies in British Art,$c2008.
300 $a259 pages :$bcolor illustrations ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [251]-256) and index.
505 00 $g1.$tIntroduction -- $g2.$tMorris: The Gymnasium -- $g3.$tBurne-Jones: The Perseus series -- $g4.$tMorris: Four Walls / Heart and Flesh -- $g5.$tBurne-Jones: The Briar Rose series -- $g6.$tMorris: The Primitive -- $g7.$tBurne-Jones's View of Morris (Interlacings) -- $g8.$tMorris: The River -- $g9.$tBurne-Jones: Stained glass.
520 1 $a"In this book, Caroline Arscott explores particular aspects of the paintings of Edward Burne-Jones and the designs of William Morris and concludes that there are close interconnections in theme, allusion, and formal strategy between the works of the two men. She suggests that themes of bodily pain, desire and appetite are central to their vision. Through careful readings of Burne-Jones's painting and Morris's designs for printed wallpapers and textiles, she shows that it is possible to bring together fine art and design in a linked discussion that illuminates the projects of both artists."--BOOK JACKET.
600 10 $aMorris, William,$d1834-1896$xCriticism and interpretation.
600 10 $aBurne-Jones, Edward Coley,$d1833-1898$xCriticism and interpretation.
600 10 $aMorris, William,$d1834-1896$xFriends and associates.
600 10 $aBurne-Jones, Edward Coley,$d1833-1898$xFriends and associates.
700 1 $aMorris, William,$d1834-1896.$0http://id.loc.gov/authorities/names/n78095326
700 1 $aBurne-Jones, Edward Coley,$d1833-1898.$0http://id.loc.gov/authorities/names/n79120945
710 2 $aPaul Mellon Centre for Studies in British Art.$0http://id.loc.gov/authorities/names/n79109777
852 80 $bfax$hND497 B93$iAr73